It lived and breathed through the centuries, seeming all the fresher
as it faded and the more ornate as its legions of saints and angels
became mutilated. It chanted its solemn hymn into the open sky over
the houses which had gradually concealed its doorways and aisles,
over the town above whose crowded roofs it towered, over the plains
and hills which formed the dim horizon.
At different times people came and leant against the balustrade of
some lofty balcony or appeared in the frame of the tall windows; and
the costume of these people enabled us to note their successive
periods. Thus we saw pre-Revolutionary citizens, followed by soldiers
of the Empire, who in turn were followed by other nineteenth-century
civilians and by labourers building scaffoldings and by yet more
labourers engaged in the work of restoration.
Then a final vision appeared before our eyes: a group of French
officers in service uniform. They hurriedly reached the top of the
tower, looked through their field-glasses and went down again. Here
and there, over the town and the country, hovered those small, woolly
clouds which mark the bursting of a shell.
The silence of the crowd became anguished. Their eyes stared
apprehensively. We all felt what was coming and we were all judging as
a whole a spectacle which had shown us the gradual birth and
marvellous growth of the cathedral only by way of leading up to the
dramatic climax. We expected this climax. It followed from the
dominant idea which gave the film its unity and its _raison d'être_.
It was as logical as the last act of a Greek tragedy. But how could we
forsee all the savage grandeur and all the horror contained in that
climax? How could we forsee that the bombardment of Rheims Cathedral
itself formed part of the climax only as a preparation and that,
beyond the violent and sensational scene which was about to rack our
nerves and shock our minds, there would follow yet another scene of
the most terrible nature, a scene which was strictly accurate in every
detail?
The first shell fell on the north-east part of the cathedral at a spot
which we could not see, because the building, though we were looking
down upon it from a slight elevation, presented only its west front to
our eyes. But a flame shot up, like a flash of lightning, and a pillar
of smoke whirled into the cloudless sky.
And, almost simultaneously, three more shells followed, three more
explosives, mingling their puffs of smoke. A fifth fell a little more
forward, in the middle of the roof. A mighty flame arose. Rheims
Cathedral was on fire.
Public-domain text, read in full here on John Shaqi.
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