The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
"My dear lady," sighed Herr Wüllner, dropping his bow dejectedly, "it
is out of the question, absolutely. It is not normal music at its
best--and I have it only in manuscript. It is impossible that any lady
can attempt it."
"She will not attempt it if she cannot do it, Herr Wüllner," said Paul.
"But you might ask her."
Mrs. Duff-Scott had followed the direction of his eyes, and her
attention was violently arrested by the figures of the three girls
sitting together, who were so remarkably unlike the majority of Mrs.
Aarons's guests. She took note of all their superficial peculiarities
in a moment, and the conviction that the lace and the pearls were real
flashed across her like an inspiration. "Is it the young lady with the
bright eyes?" she inquired. "What a charming face! Yes, Herr Wüllner,
we _will_ ask her. Introduce her to me, Mrs. Aarons, will you?"
She rose as she spoke and sailed towards Patty, Mrs. Aarons following;
and Paul Brion held his breath while he waited to see how his reckless
enterprise would turn out. In a few minutes Patty came towards the
piano, with her head up and her face flushed, looking a little defiant,
but as self-possessed as the great lady who convoyed her across the
room. The events of the evening had roused her spirit, and strung up
her nerves like Herr Wüllner's fiddle-strings, and she, too, was in a
daring and audacious mood.
"This is it," said the old musician, looking at her critically as he
gave a sheet of manuscript into her hand. It was a wonderful chance, of
course, but Patty had seen the facsimile of that manuscript many times
before, and had played from it. It is true she had never played with
the violin accompaniment--had never so much as seen a violin until she
came to Melbourne; but her mother had contrived to make her understand
how the more delicate and sensitive instrument ought to be deferred to
in the execution of the piano part, and what the whole should sound
like, by singing the missing air in her flexible trilling voice; and
just now she was in that peculiar mood of exaltation that she felt
inspired to dare anything and assured that she should succeed. "You
will not be able to read it?" Herr Wüllner suggested persuasively,
drawing hope from her momentary silence.
"Oh, yes," she said, looking up bravely: "I think so. You will stop me,
please, if I do not play it right." And she seated herself at the piano
with a quiet air of knowing what she was doing that confounded the two
ladies who were watching her and deeply interested Mrs. Duff-Scott.
Paul Brion's heart was beating high with anticipated triumph. Herr
Wüllner's heart, on the contrary, sank with a mild despair.
"Well, we will have a few bars," he sighed. "And pray, my dear young
lady, don't bang the piano--I mean don't play over me. And try to keep
time. But you will never do it--with the best intentions, my dear, you
will never be able to read it from such a manuscript as that."
Public-domain text, read in full here on John Shaqi.
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