England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
Christopher related the circumstances, still leaning in exhaustion
against the door-post, and Miss Sparkes, who under no conceivable
stress could have suffered herself to be so "done out of" a piece of
gold, scarcely knew whether to despise or to pity him. After all, a
compassionate feeling prevailed, sure sign that there was something
disinterested in her association with this young man.
"I'm very sorry," she said; "I never thought it 'ud cost you that much."
"I shouldn't care a bit," Christopher replied, "if you treated me
better now I've got here."
Polly moved just a little nearer to him, ever so little, but the
movement was appreciable. Unfortunately Christopher was too weary to
notice it.
"What was the address?" she asked in an undertone, which, had but Mr.
Parish understood, fitly accompanied that little movement.
He told her bluntly, and Polly repeated the words
"And now I suppose I may say good night," Christopher added, still with
discontent.
"Well, thank you very much for getting me that address."
"But you won't tell me what you want it for?"
"I will some time. I can't just now. It's awful late, and we mustn't
stand talking here."
Again she came one step nearer. Now if Christopher Parish had not lost
half a Sovereign, or if he had been less worn out, or if the mystery of
the evening had not lain so heavy on his mind, assuredly he would have
noticed this onward coming; for, as a rule, the young man was sensitive
and perceptive enough, all things considered. Alas! he did not look
into Polly's face, which in the dusk of the doorway had turned towards
his.
"I'll be going then," he muttered. "Good night. Jolly long walk before
me still."
"I'm very sorry. I am, really."
"Oh, never mind! When shall I see you again?"
The crucial moment was past. Polly drew a step back and held the door.
"I'll write before long. Good night, and thank you."
Mr. Parish plodded away down the avenue, saying to himself that he was
blest if he'd be made a fool of like this much longer.
The next morning Polly wrote a line to Mr. Gammon, and two days later,
on Sunday, they met in that little strip of garden on the Embankment
which lies between Charing Cross Station and Waterloo Bridge. It was
the first week of October; a cold wind rustled the yellowing plane
trees, and open-air seats offered no strong temptation. The two
conversed as they walked along. Polly had not mentioned in her letter
any special reason for wishing to see Mr. Gammon, nor did she hasten to
make known her discovery.
"Why do you wear a 'at like that on a Sunday?" she began by asking,
tartly.
"Because it's comfortable, I suppose," answered Gammon, reflecting for
the first time that it was not very respectful to come to this
rendezvous in a "bowler." Polly had never mentioned the matter before,
though she had thought about it. "You like the chimney-pot better?"
"Why, of course I do. On a Sunday, too, who wouldn't?"
Public-domain text, read in full here on John Shaqi.
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