The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.Gomme, Alice Bertha
General
The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
This analysis shows that the incidents expressed by the rhymes are
practically the same in all the versions. In the majority of the cases
the weeping is depicted as part of a ceremony, by which it is known that
a girl desires a lover; she is enabled then to choose one, and to be
married. The marriage formula is the usual one in the Barnes’ version,
but follows another set of words in three other versions. In the cases
where the marriage is neither expressed by a formula, nor implied by
other means (Winterton and Forest of Dean), the versions are evidently
fragments only, and probably at one time ended, as in the other cases,
with marriage. But in three other cases the ending is not with marriage.
The Earls Heaton and Scottish versions represent the cause of weeping as
the death of a father, the Berkshire version introduces the apparently
unmeaning incident of Mary bearing a shepherd’s cross, and the South
Devon version represents the cause of weeping the death of a lover at
sea. It is obvious that at places where sailors abound, the incident of
weeping for a sailor-lover who is dead would get inserted, and the fact
of this change only occurring once in the versions I have collected,
tells all the more strongly in favour of the original version having
represented marriage and love, and not death, but it does not follow
that the marriage formula belongs to the oldest or original form of the
game. I am inclined to think this has been added since marriage was
thought to be the natural and proper result of choosing a sweetheart.
(_d_) The change in some of the verses, as in the Cambridge version, is
due to corruption and the marked decadence now occurring in these games.
No. 13 in the analysis is from the game “Pretty little girl of mine,”
and Nos. 42-3 “Ring o’ Roses.”
Poor Widow
I. Here’s an old widow who lies alone,
Lies alone, lies alone,
Here’s an old widow who lies alone,
She wants a man and can’t get one.
Choose one, choose two, choose the fairest.
The fairest one that I can see
Is [Mary Hamilton], come unto me.
Now she is married and tied to a bag,
She has got a man with a wooden leg.
—Belfast (W. H. Patterson).
II. There was an old soldier he came from the war,
His age it was sixty and three.
Go you, old soldier, and choose a wife,
Choose a good one or else choose none.
Here’s a poor widow she lives her lone,
She hasn’t a daughter to marry but one.
Come choose to the east, choose to the west,
And choose the very one you love best.
Here’s a couple married in joy,
First a girl and then a boy,
Seven years after, and seven years come,
Pree[1] young couple kiss and have done.
—Belfast (W. H. Patterson).
Public-domain text, read in full here on John Shaqi.
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