"Throw down the child," he cried from the street below. The Madonna
refused, and rated her husband for his madness, but he insisted, and
threatened so vehemently, that at last, in abject terror, she let go her
hold of her babe. The boy leaped from her arms into the air, and, whilst
the distracted mother uttered a wail of anguish, Giovanni deftly caught
his little son in his arms. The child chortled merrily, as if enjoying
his weird experience, and, inasmuch as he never so much as uttered the
slightest cry of fear, the intrepid Condottiere felt perfectly reassured
as to the auspicious presage of his dream.
"That's all right," he exclaimed, "my vision was no fantastic
picture--my bonnie boy will live to be a prince--Prince of Florence!"
Madonna Maria, left so young a widow--she was only
twenty-five--consecrated her life to the care of her young son--just
eight years old--and, under her parental roof in the Via del Corso, she
engaged some of the best teachers of the day to undertake his education.
Cosimonino's aptitude for military affairs and his taste for chemical
studies soon made themselves apparent.
But the doting mother had a secret enemy, her child's enemy indeed, an
enemy so powerful, and by all accounts so relentless, that her life
became a burden in her efforts to shield her boy from peril. That enemy
was no less a person than the Pope!
Clement, of course, knew very well of the existence of Giovanni delle
Bande Nere's son and heir, and whilst he hailed the death of the father
as a gain for his personal ambition, he feared the life of his child
would peril his hopes for Alessandro, his own illegitimate son. Cosimo,
Giovanni's boy, must be kept out of the way at all hazards, and Maria
the widow was very soon well aware of the Pope's aims.
By every means in his power, Clement strove to obtain possession of
little Cosimo, but his mother was as watchful as she was prudent, and,
till her boy reached his twelfth year, she never let him go out of her
sight and keeping. She took him away to remote parts of Italy with
trusty attendants, that the Pope might not discover their whereabouts.
Then she chose a faithful friend of her family, Maestro Pierfrancesco
Riccio da Prato, to superintend his further education. If not the wisest
of teachers, he was admirable for the exact discharge of his duties and
inculcated the best traditions of the Medici.
Together tutor and pupil visited many parts of Central Italy and spent
some time at Venice, the chief subject of their studies being the heroic
doings of the ancient Greeks and Romans. This was the usual curriculum
for growing boys, and doubtless its observance induced that admiration
of tyrannicide which marked the character of so many young Florentines.
Public-domain text, read in full here on John Shaqi.
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