The Trembling of a Leaf: Little Stories of the South Sea IslandsMaugham, W. Somerset (William Somerset)
General
The Trembling of a Leaf: Little Stories of the South Sea Islands
Maugham, W. Somerset (William Somerset)
Oceania -- Fiction
Chaplin entertained me. He was by profession a mining engineer and
perhaps it was characteristic of him that he had settled in a place
where his professional attainments were of no possible value. It was,
however, generally reported that he was an extremely clever mining
engineer. He was a small man, neither fat nor thin, with black hair,
scanty on the crown, turning grey, and a small, untidy moustache; his
face, partly from the sun and partly from liquor, was very red. He was
but a figurehead, for the hotel, though so grandly named but a frame
building of two storeys, was managed by his wife, a tall, gaunt
Australian of five and forty, with an imposing presence and a determined
air. The little man, excitable and often tipsy, was terrified of her,
and the stranger soon heard of domestic quarrels in which she used her
fist and her foot in order to keep him in subjection. She had been
known after a night of drunkenness to confine him for twenty-four hours
to his own room, and then he could be seen, afraid to leave his prison,
talking somewhat pathetically from his verandah to people in the street
below.
He was a character, and his reminiscences of a varied life, whether true
or not, made him worth listening to, so that when Lawson strolled in I
was inclined to resent the interruption. Although not midday, it was
clear that he had had enough to drink, and it was without enthusiasm
that I yielded to his persistence and accepted his offer of another
cocktail. I knew already that Chaplin's head was weak. The next round
which in common politeness I should be forced to order would be enough
to make him lively, and then Mrs Chaplin would give me black looks.
Nor was there anything attractive in Lawson's appearance. He was a
little thin man, with a long, sallow face and a narrow, weak chin, a
prominent nose, large and bony, and great shaggy black eyebrows. They
gave him a peculiar look. His eyes, very large and very dark, were
magnificent. He was jolly, but his jollity did not seem to me sincere;
it was on the surface, a mask which he wore to deceive the world, and I
suspected that it concealed a mean nature. He was plainly anxious to be
thought a "good sport" and he was hail-fellow-well-met; but, I do not
know why, I felt that he was cunning and shifty. He talked a great deal
in a raucous voice, and he and Chaplin capped one another's stories of
beanos which had become legendary, stories of "wet" nights at the
English Club, of shooting expeditions where an incredible amount of
whisky had been consumed, and of jaunts to Sydney of which their pride
was that they could remember nothing from the time they landed till the
time they sailed. A pair of drunken swine. But even in their
intoxication, for by now after four cocktails each, neither was sober,
there was a great difference between Chaplin, rough and vulgar, and
Lawson: Lawson might be drunk, but he was certainly a gentleman.
At last he got out of his chair, a little unsteadily.
Public-domain text, read in full here on John Shaqi.
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