Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
At noon that day a white Peter, lips trembling, very still and stiff,
knocked at Miss Derring's door.
She opened it, just dressed for luncheon.
“Oh,” she cried--“Peter!”
“Here,” said he frigidly, “is the manuscript of your play.”
Her eyes, very wide, searched his face.
“It is not mine. I wash my hands of it.”
“Oh, Peter--please don't talk like this.”
“You have chosen to enter into a conspiracy with Neuerman to wreck what
little was left of my play. With Neuerman!” He emphasized the name. “I
am through.”
“But, Peter--be sensible. Come to lunch and we'll straighten this up in
five minutes. Nothing is being forced on you. I was asked...”
“You were brought here without my knowledge. And now--this!”
He strode away, leaving the manuscript in her hands.
She stood there in the door, following him with bewildered eyes until he
had disappeared around a turn in the hall.
Peter, feeling strongly (if vaguely) that he had sacrificed everything
for a principle, packed his suitcase, caught a train to Pittsburgh, and
later, a sleeper for New York.
CHAPTER XVIII--THE WORM CONSIDERS LOVE
|ZANIN came in quietly, for him; matter of fact; dropped his hat on the
couch; stood with his hands in his pockets and looked down at Sue who
was filling her alcohol lamp.
“Well, Sue,” said he, “it's Saturday at four. I've kept my part of the
agreement. You haven't had a word from me. But”--and he did show feeling
here--“you are not to think that it has been easy. We've talked like
sensible people, you and I, but I'm not sensible.” Still she bent
over the lamp. “So you'd better tell me. Are we starting off together
to-night?”
“Don't ask me now,” she said.
“Oh, come, Sue. Now, really!”
She straightened up. “I'm not playing with you, Jacob. I promised to
answer you to-day.”
“Well--why don't you? Now. Why wait?”
“Because I don't know yet.”
“But good God, Sue! If you don't know yet--”
She threw out her hands.
He dropped into a chair; studied her gloomily.
Then the bell rang and Peter came in. And Sue faced two grave silent
men.
“First,” she said, as briskly as she could, “we shall have tea.”
This much accomplished and the biscuits distributed, she curled herself
up on the couch. “Now,” she said, “this has been a difficult week. And I
can see only one thing to do. The Nature Film Company is in a bad way.”
For the first time the two men looked squarely at each other. Sue, her
color up, a snap in her eyes, suppressed a perverse impulse to laugh,
and steadied herself.
Public-domain text, read in full here on John Shaqi.
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