Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
Further, I was ill-pleased with literary London. "You have a literary
life here," an American editor once said to me. "There is a literary
circle, an atmosphere. . . . We have no such thing in New York." I
answered that no doubt we had; but I spoke without enthusiasm. I suppose
that if any one "moved in literary circles," I did, then. Yet I derived
small satisfaction from my inclusion within those circumferences. To me
there was a lack of ozone in the atmosphere which the American editor
found so invigorating. Be it understood that when I say "literary
circles," I do not in the least mean genteel Bohemia, the world of
informal At-Homes that are all formality, where the little lions growl
on their chains in a row against a drawing-room wall, and the hostess
congratulates herself that every single captive in the salon has "done
something." Such polite racketting, such discreet orgies of the higher
intellectuality, may suit the elegant triflers, the authors of
monographs on Velasquez, golf, Dante, asparagus, royalties, ping-pong,
and Empire; but the business men who write from ten to fifty thousands
words a week without chattering about it, have no use for the literary
menagerie. I lived among the real business men--and even so I was
dissatisfied. I believe too that they were dissatisfied, most of them.
There is an infection in the air of London, a zymotic influence which is
the mysterious cause of unnaturalness, pose, affectation, artificiality,
moral neuritis, and satiety. One loses grasp of the essentials in an
undue preoccupation with the vacuities which society has invented. The
distractions are too multiform. One never gets a chance to talk
common-sense with one's soul.
Thirdly, the rate at which I was making headway did not please me. My
reputation was growing, but only like a coral-reef. Many people had an
eye on me, as on one for whom the future held big things. Many people
took care to read almost all that I wrote. But my name had no
significance for the general public. The mention of my name would have
brought no recognizing smile to the average person who is "fond of
reading." I wanted to do something large, arresting, and decisive. And I
saw no chance of doing this. I had too many irons in the fire. I was
frittering myself away in a multitude of diverse activities of the pen.
Public-domain text, read in full here on John Shaqi.
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