The twelve adventurers, and other storiesBrontë, Charlotte
Science
The twelve adventurers, and other stories
Brontë, Charlotte
English fiction -- 19th century; Short stories, English
I likewise noticed a brace of pistols, most exquisitely wrought and
highly finished. He told me they were the _chef-d’œuvre_ of Darrow,
the best manufacturer of firearms in the universe. I counted one
hundred gold and silver medals, which had been presented to this
youthful but all-accomplished nobleman by different literary and
scientific establishments. They were all contained in a truly splendid
gold vase awarded to him last year by the Academy of Modern Athenians
(as that learned body somewhat presumptuously chooses to style itself)
as being the composer of the best epigram in Greek. Above this was
suspended a silver bow and quiver, the first prize given by the Royal
Society of Archers, together with a bit, bridle, spurs, and stirrups,
all of fine gold, obtained from the Honourable Community of Equestrians.
Near these lay several withered wreaths of myrtle, laurel, etc.,
etc., won by him as conqueror in the great African Biennial Games.
On a rich stand of polished ebony were ranged twenty-three beautiful
vases of marble, alabaster, etc., all richly carved in basso-relievo,
remarkable for classic elegance of form, design, and execution. Some
of these were filled with cameos, others with ancient coins, and
others again bore branches of scarlet and white coral, pearls, gems
of various sorts, fossils, etc. But what interested me more than
all these trophies of victory and specimens of art and nature, costly,
beautiful, and almost invaluable as they were, was a little figure
of Apollo, about six inches in height, curiously carved in white
agate, holding a lyre in his hand, and placed on a pedestal of the
same valuable material, on which was the following inscription:—
In our day we beheld the god of Archery, Eloquence, and
Verse, shrined in an infinitely fairer form than that worn
by the ancient Apollo, and giving far more glorious proofs
of his divinity than the day-god ever vouchsafed to the
inhabitants of the old Pagan world. Zenobia Ellrington
implores Arthur Augustus Wellesley to accept this small
memorial, and consider it as a token that, though forsaken
and despised by him whose good opinion and friendship
she valued more than life, she yet bears no malice.
There was a secret contained in this inscription which I could not
fathom. I had never before heard of any misunderstanding between
his lordship and Lady Zenobia, nor did public appearances warrant
a suspicion of its existence. Long after, however, the following
circumstances came to my knowledge. The channel through which they
reached me cannot be doubted, but I am not at liberty to mention
names.
Public-domain text, read in full here on John Shaqi.
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