Four men were in the room, all dressed in black. One had his hat on;
the hats of the other three were together on a single chair. An oak
coffin stood on a black velvet pall, which doubtless covered trestles.
Two men, one at either end, were screwing on the lid. A third was
prowling about the room. The fourth--the one with his hat on--was
standing, with his hands in his pockets, surveying the proceedings.
They all glanced towards me as I entered, unmistakably taken by
surprise. The fourth man, withdrawing his hands from his pockets, made
haste to remove his hat. The prowler came hurrying towards the others.
'You're--you're not closing the coffin?'
'Yes, sir. By Mr. Tattenham's instructions.'
'But it's not time.'
'Excuse me, sir, but it is. The coffin has to be placed in the van
before it's attached to the train; and that means some time before
it's due to start. Did you wish, sir, to see him?'
I felt dazed; filled with a whirl of confused thoughts. The voice of
the undertaker's man sounded to me like a voice in a dream.
'See him. Is he'--I was about to add 'in there?' Because it seemed
incredible that even so consummate an artist as Mr. Montagu Babbacombe
could consent to remain quiescent while being consigned to a living
tomb. But the question in such a form might have seemed too
suggestive; so I substituted, 'Is he all right?'
It seemed that the man somewhat mistook my drift.
'Perfectly, sir. Make a fine photograph, sir. Looks calm and peaceful;
as well as he possibly could look. We can easily remove the lid; would
you like to see him, sir?'
'See him? No. I--I don't want to see him.'
'In that case, since the lid is closed, we'll be starting, sir, if you
don't mind.'
I do not know what I said. Something, I suppose; because shouldering
the coffin there and then, they started. They carried it from the room
and bore it from my sight. I remained behind, picturing the man inside
fighting for freedom. I wondered when the struggle would begin. What
was that? I thought I heard a voice calling to me from the stairs
without; a voice I seemed to know. I went to the door and listened.
Not a sound. Across the hall below passed the four men in black,
bearing the living man shut up in the box upon their shoulders.
Was he already tapping at the inner shell? Would they hear him if he
were? The shell was presumably a substantial one; the wood of the
outer coffin thick. He would be shrouded in his winding-clothes; his
movements would be cumbered. He would quite possibly be unable to rap
with sufficient force to make them hear him. He might call; or try to.
In that stifling atmosphere would he be able to use his voice?
Public-domain text, read in full here on John Shaqi.
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