The Two Magics: The Turn of the Screw, Covering EndJames, Henry
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The Two Magics: The Turn of the Screw, Covering End
James, Henry
Children -- Fiction; Country homes -- Fiction; Courtship -- Fiction; England -- Fiction; Governesses -- Fiction; Mortgages -- Fiction
“Think me--for a change--_bad_!” I shall never forget the sweetness
and gaiety with which he brought out the word, nor how, on top of
it, he bent forward and kissed me. It was practically the end of
everything. I met his kiss and I had to make, while I folded him for a
minute in my arms, the most stupendous effort not to cry. He had given
exactly the account of himself that permitted least of my going behind
it, and it was only with the effect of confirming my acceptance of it
that, as I presently glanced about the room, I could say--
“Then you didn’t undress at all?”
He fairly glittered in the gloom. “Not at all. I sat up and read.”
“And when did you go down?”
“At midnight. When I’m bad I _am_ bad!”
“I see, I see--it’s charming. But how could you be sure I would
know it?”
“Oh, I arranged that with Flora.” His answers rang out with a
readiness! “She was to get up and look out.”
“Which is what she did do.” It was I who fell into the trap!
“So she disturbed you, and, to see what she was looking at, you also
looked--you saw.”
“While you,” I concurred, “caught your death in the night air!”
He literally bloomed so from this exploit that he could afford
radiantly to assent. “How otherwise should I have been bad enough?”
he asked. Then, after another embrace, the incident and our interview
closed on my recognition of all the reserves of goodness that, for his
joke, he had been able to draw upon.
XII
The particular impression I had received proved in the morning light,
I repeat, not quite successfully presentable to Mrs. Grose, though I
reinforced it with the mention of still another remark that he had made
before we separated. “It all lies in half-a-dozen words,” I said to
her, “words that really settle the matter. ‘Think, you know, what
I _might_ do!’ He threw that off to show me how good he is. He knows
down to the ground what he ‘might’ do. That’s what he gave them a
taste of at school.”
“Lord, you do change!” cried my friend.
“I don’t change--I simply make it out. The four, depend upon it,
perpetually meet. If on either of these last nights you had been with
either child, you would clearly have understood. The more I’ve
watched and waited the more I’ve felt that if there were nothing
else to make it sure it would be made so by the systematic silence of
each. _Never_, by a slip of the tongue, have they so much as alluded
to either of their old friends, any more than Miles has alluded to
his expulsion. Oh yes, we may sit here and look at them, and they may
show off to us there to their fill; but even while they pretend to
be lost in their fairy-tale they’re steeped in their vision of the
dead restored. He’s not reading to her,” I declared; “they’re
talking of _them_--they’re talking horrors! I go on, I know, as if I
were crazy; and it’s a wonder I’m not. What I’ve seen would have
made _you_ so; but it has only made me more lucid, made me get hold of
still other things.”
Public-domain text, read in full here on John Shaqi.
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