Again I tried to signal the Maître d'Hôtel as he dashed past on his way
to the kiosk. This time he was under one of the huge umbrellas which an
"omnibus" was holding over him, Rajah-fashion. He had a plump melon,
half-smothered in ice, in his hands, to protect it from the downpour,
the rain making gargoyles of the points of the ribs of the umbrella.
Evidently the breakfast was too important and the expected fee too large
to intrust it to an underling. He must serve it himself.
Up to this Moment no portion of my order had materialized. No cover for
one, nor filet, nor _vin ordinaire_, nor waiter had appeared. The
painter was growing impatient. The man inside was becoming hungry.
I waited until he emerged with an empty dish, watched him grasp the
giant umbrella, teeter on the edge of the kiosk for a moment, and plunge
through the gravel, now rivers of water, toward my kiosk, the "omnibus"
following as best he could.
"A thousand pardons, Monsieur--" he cried from beneath his shelter, as
he read my face. "It will not be long now. It is coming--here, you can
see for yourself--" and he pointed across the garden, and tramped on,
the water spattering his ankles.
I looked and saw a solemn procession of huge umbrellas, the ones used
over the _tête-à-tête_ tables beneath the trees, slowly wending its way
toward where I sat, with all the measured movement and dignity of a file
of Eastern potentates out for an airing.
Under each umbrella were two waiters, one carrying the umbrella and the
other a portion of my breakfast. The potentate under the first umbrella,
who carried the wine, proved to be a waiter-in-chief; the others
bearing the filet, plates, dishes, and glasses were ordinary
"omnibuses," pressed into service as palanquin-bearers by reason of
the storm.
The waiter-in-chief, with the bottle, dodged from under his bungalow,
leaving it outside and still open, like a stranded circus-tent, stepped
into my kiosk, mopped the rain from his coat-sleeves and hands with a
napkin, and, bowing solemnly, pointed to the label on the bottle. This
meeting my approval, he relieved the rear-guard of the dishes, arranged
the table, drew the cork of the St. Julien, filled my glass, dismissed
the assistants and took his place behind my chair.
Public-domain text, read in full here on John Shaqi.
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