American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
"That will be the next step; our houses thrown open to the madding
crowd. Six newspapers--two from New York--applied recently for leave
to see the presents. I intended to refuse firmly, but to my
astonishment Lucille seemed disappointed. It never occurred to me that
she would not hate the publicity. She gave a little shriek and said,
'Mamma, how dreadful!' and then added in the next breath, 'Everybody
does it, and, as something is sure to be printed, might it not be
better to make certain that it's correct?' A day or two later she was
photographed in her tiara, and from what has transpired since I fear
that the idea of publicity was not foreign to her thought. My child,
Mr. Prentiss! Only think of it! One can never quite understand the
point of view of the rising generation. I consulted Carleton, and he
grew successively irate, contemplative, philosophical, and weak-kneed.
In short, a week ago a reportorial woman, with the social appetite of a
hyena and the keen-eyed industry of a ferret, passed the forenoon in
the house and went away with a photograph of Lucille in the tiara. And
what is worst of all, in spite of my humiliation at the whole
proceeding, I am decidedly curious to see what she has written."
The sound of voices in the morning-room broke in upon this confession.
"Ah, here you are, Aunt Miriam! I have brought you an artistic
masterpiece with a felicitous biography of the distinguished heroine.
Behold and admire!"
The speaker was Paul Howard, Mrs. Wilson's nephew. He advanced from
the doorway with radiant, teasing face, holding out a newspaper at
which he pointed delightedly. At his heels followed Lucille and
Clarence Waldo, she protesting, yet betraying by her laughing confusion
that her indignation was half-hearted; he stalking with self-important
gravity save for a thin smile, the limit of his deliberate
contributions to the gayety of nations unless under the influence of
alcoholic conviviality. At men's gatherings there was a stage in the
proceedings when Clarence Waldo became decorously mellow and
condescended--indeed, expected to be asked--to sing one of three or
four quasi-humorous ditties at his command, a function which he seemed
to regard as an important social contribution and for which he
practised in secret. Also, after luncheon or dinner, he was liable to
lay down the law in loud tones in regard to current sporting affairs.
But his habitual manner was languid and his expression cold, as though
he feared to compromise himself by interest or enthusiasm. He was very
tall. In the centre of his crown was a bald spot. He stooped
slightly, and, except among his intimates, looked straight before him
lest he might see someone whom he did not wish to know. In the rear of
this family party came Carleton Howard, stepping firmly yet
deliberately, as he always did, as though he walked abreast of Time,
not tagging at her skirts like so many of his contemporaries--a fine
Public-domain text, read in full here on John Shaqi.
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