American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
She had looked forward to Lucille's formal introduction to society as a
social corrective, and argued that, as soon as her daughter met the
world face to face, there would be a modification both of Lucille's
tastes and point of view. So strong is the emphasis laid by American
mothers in fashionable society on what is called "the coming out" of
their daughters that the concern engendered by the approach of the
ordeal could fitly be described as a phase of hysteria. The true
perspective of life becomes utterly and absurdly distorted by
apprehension lest the dear child should not have "a good time" and by a
fierce ambition that she should have a better "time" than her mates.
As a consequence, competition--that absorbing passion of American
character--is prone to take advantage of all the opportunities at its
command, not merely to decorate the unprepossessing or provide the duck
with the environment of the swan, but to make princesses out of goose
girls by sheer gorgeous manifestations of the power of the almighty
dollar. We all know that every woman in the world would prefer at
heart to be called wicked rather than common, unless she were
common--one of those extraordinary results of the tyranny of the social
instinct which plays havoc with religious codes; and there is probably
no country where the most socially adept are more intolerant of
commonness than in democratic America--a fact which should be
disconcerting to that form of socialism which yearns for a dead-level.
Yet the tendency to exploit one's daughters by means of money and to
exploit them even with barbaric splendor is current among our most
socially sophisticated people.
Public-domain text, read in full here on John Shaqi.
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