American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
Father and son passed along through the secret passageway until they
found themselves in Mr. Howard's capacious library. This superb room
was the result of an architect's conscientious ambition to see what
could be accomplished where his client was obviously willing to obtain
excellence and had imposed on him no limits either in respect to space
or expense. As regards size, it bore the same relation to the ordinary
library of the civilized citizen that the Auditorium in Chicago bears
to every-day hotels, or the steamship _Great Eastern_ bore to other
ocean carriers. Consequently it was a little vast for strict cosiness.
The huge stamped leather chairs and sofas, though inviting, seemed
designed for persons of elephantine figure, in order perhaps to avoid
being dwarfed. But the shelves upon shelves of books which covered
completely from floor to ceiling two of the walls--choice editions in
fine bindings--gained dignity from the superfluous dimensions. If it
be said in this connection that, to one familiar with Mr. Howard's
associations, the idea of many storied office buildings might occur,
the answer is that he was responsible for nothing which the room
contained except its large and admirable display of etchings, which,
owing to almost weekly accretions, had begun to disarrange the original
æsthetic scheme of the designer. Mr. Howard had left everything else
to his architect, but etchings were his hobby--one which had attracted
his fancy years before by accident, and had retained its hold upon him.
He was familiar now, as a man of sagacity and method, with the many
bibliographical and ethnological treasures by which he was surrounded,
and could exhibit them becomingly, but when the conversation turned on
the etcher's art he was on firm ground and could talk as clearly and
authoritatively as about his railroads.
The banker chose his favorite seat, within comfortable distance of one
of the fire-places, facing a beautiful polar bear-skin rug of
extraordinary size. Close at hand was a large table with writing
materials and such magazine literature or documents as he might wish to
examine. Adjustable lights were at either elbow, and in the direct
line of his vision as he ordinarily sat were two of his favorite works
of art, an Albert Dürer and a Wenceslaus Hollar. He lighted another
cigar and, after a few puffs, said:
"That clergyman is decidedly a useful man. He has common sense and he
has discretion."
Public-domain text, read in full here on John Shaqi.
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