To catch a glimpse of this strange problem of the preexistence of
the future, as it shows itself to each of us, let us essay more
humbly to translate it into tangible images, to place it as it
were upon the stage. I am writing these lines sitting on a stone,
in the shade of some tall beeches that overlook a little Norman
village. It is one of those lovely summer days when the sweetness
of life is almost visible in the azure vase of earth and sky. In
the distance stretches the immense, fertile valley of the Seine,
with its green meadows planted with restful trees, between which
the river flows like a long path of gladness leading to the misty
hills of the estuary. I am looking down on the village-square,
with its ring of young lime-trees. A procession leaves the church
and, amid prayers and chanting, they carry the statue of the
Virgin around the sacred pile. I am conscious of all the details
of the ceremony: the sly old cure perfunctorily bearing a small
reliquary; four choirmen opening their mouths to bawl forth
vacantly the Latin words which convey nothing to them; two
mischievous serving-boys in frayed cassocks; a score of little
girls, young girls and old maids in white, all starched and
flounced, followed by six or seven village notables in baggy
frockcoats. The pageant disappears behind the trees, comes into
sight again at the bend of the road and hurries back into the
church. The clock in the steeple strikes five, as though to ring
down the curtain and mark in the infinite history of events which
none will recollect the conclusion of a spectacle which never
again, until the end of the world and of the universe of worlds,
will be just what it was during those seconds when it beguiled my
wandering eyes.
For in vain will they repeat the procession next year and every
year after: never again will it be the same. Not only will
several of the actors probably have disappeared, but all those
who resume their old places in the ranks will have undergone the
thousand little visible and invisible changes wrought by the
passing days and weeks. In a word, this insignificant moment is
unique, irrecoverable, inimitable, as are all the moments in the
existence of all things; and this little picture, enduring for a
few seconds suspended in boundless duration, has lapsed into
eternity, where henceforth it will remain in its entirety to the
end of time, so much so that, if a man could one day recapture in
the past, among what some one has called the "astral negatives,"
the image of what it was, he would find it intact, unchanged,
ineffaceable and undeniable.
26
Public-domain text, read in full here on John Shaqi.
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