Bohemianism; English literature -- 19th century -- History and criticism
The Indians were to Thoreau what the gypsies were to Borrow. Appealing
to certain spiritual affinities in the men’s natures, they revealed their
own temperaments to them, enabling them to see the distinctiveness of
their powers. Thoreau was never quite able to give this intimate
knowledge such happy literary expression as Borrow. Apprehending the
peculiar charm, the power and limitations of the Indian character,
appreciating its philosophical value, he lacked the picturesque pen of
Borrow to visualize this for the reader.
A lover of Indian relics from his childhood, he followed the Indians into
their haunts, and conversed with them frequently. Some of the most
interesting passages he has written detail conversations with them. One
feels he knew and understood them; and they no less understood him, and
talked with him as they certainly would not have done with any other
white man. But one would have liked to have heard much more about them.
If only Thoreau could have given us an Indian Petulengro, how interesting
it would have been!
But, like the Indian, there was a reserve and impenetrability about
Thoreau which prevented him from ever becoming really confidential in
print. If he had but unbended more frequently, and not sifted his
thought so conscientiously before he gave us the benefit of it, he would
certainly have appealed to our affections far more than he does.
One feels in comparing his writings with the accounts of him by friends
how much that was interesting in the man remains unexpressed in terms of
literature. Partly this is due, no doubt, to his being tormented with
the idea of self-education that he had learnt from Emerson. In a
philosopher and moralist self-education is all very well. But in a
naturalist and in a writer with so much of the Vagabond about him as
Thoreau this sensitiveness about self-culture, this anxiety to eliminate
all the temperamental tares, is blameworthy.
The care he took to eliminate the lighter element in his work—the flash
of wit, the jocose aside—a care which pursued him to the last, seems to
show that he too often mistook gravity for seriousness. Like Dr. Watts’
bee (which is not Maeterlinck’s) he “improved the shining hour,” instead
of allowing the shining hour to carry with it its own improvement, none
the less potent for being unformulated. But beside the Emersonian
influence, there is the Puritan strain in Thoreau’s nature, which must
not be overlooked. No doubt it also is partly accountable for his
literary silences and austere moods.
To revert to the Indians.
If Thoreau does not deal dramatically with his Indians, yet he had much
that is interesting and suggestive to say about them. These are some
passages from _A Week on the Concord_:—
Public-domain text, read in full here on John Shaqi.
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