The vale of Lyvennet : $b its picturesque peeps and legendary loreBland, John Salkeld
History
The vale of Lyvennet : $b its picturesque peeps and legendary lore
Bland, John Salkeld
Cumbria (England) -- Description and travel
At a short distance to the north of the Hall are a number of
subordinate buildings, of barns, stables, &c., of more or less modern
erection, the oldest of which is a well-built block on which is a
square tablet having the initials R.L., Richard Lowther, and the date
of their erection, 1693.
Another remarkable building stands near the road, known as Fletcher
Hall; it is a lofty building, of about seven yards square, containing
one lower room and one upper; it is entered by a door on the east side,
and the lower room lighted by a window of three lights in the north;
the upper story is lighted by two similar windows on the east side. Its
use was probably as a residence for the stewards or managing bailiff
of the lords of the manor, and from this has derived its name "The
Fletcher" from families of that name. These have been an influential
family in Meaburn for many generations. In 1618 we find record in the
register of the death of James Fletcher of Meaburn Hall Fold, and
there are Fletchers recorded so far back as 1588. The present Fletcher
has been rebuilt at the same time that the buildings of the Hall were
extended.
The grounds have been laid out in the then fashionable Elizabethan
style, and tradition yet affirms that they were at one time the finest
gardens in the north. The entrance from the road is by a doorway with
cheeks of solid masonry surmounted by balls, and a court on each side,
mantled with ivy. Within this is a large level area in front of the
Hall, flanked on each side with a row of now ancient yews; passing
to the left through another doorway we come to the south front. Here
is another large open quadrangle, laid out as a bowling green with a
raised terrace on three sides; at the south-east and south-west corners
are two garden houses in which the players might regale themselves
in the intervals of the play. Running between these is a row of yew
overhanging the once gravelled esplanade, which is ascended from the
green by a few ornamental steps. Along the lateral terraces were
also at one time yews and spruces; the former are all gone, and the
latter represented by a few remarkably tall and half-blasted trunks
of spruces, towering far above the surrounding trees. To the south of
the green is an area covered with a number of remarkably tall trees;
this is surrounded by a high wall, alongside of which on the south
side are a row of yews overshadowing what have once been neat walks.
After making an angle, this wall, forming the western boundary of the
grounds, runs direct to the north, where the road forms the boundary.
The garden is entered from the field outside by three postern doors.
Within the wall is a broad, raised terrace, running the whole length;
ornamented with here and there a holly, yew or laburnum, all of which,
like the other trees, have gained a large size. Along the north wall
are also rows of yews, some of which have fallen victims to the axe.
Public-domain text, read in full here on John Shaqi.
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