England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
The month of May found the "Miss Elsie of Chelsea" company billed to
appear in the suburban theaters, and Dorothy was called upon to make up
her mind whether she should take rooms with Sylvia and Lily in the
center of London or economize for a few weeks by staying at home. Four
months of separation from her family had not made her particularly
anxious to return to them. At the same time, since she was not yet a
London actress, it might be more prudent to wait a little while before
she cut herself off too completely from Lonsdale Road. The only thing
that worried her about staying at home was the thought that all the
members of her family would inevitably insist on going to see her act
during the week that they were to play at the Grand Theater, Fulham.
Even if her father should be shy of patronizing a musical comedy so near
the Bishop of London's palace, she saw no way of preventing at any rate
Roland and her sister Dolly from going; since she had stolen her
sister's name, Dorothy, notwithstanding her dislike of abbreviations,
had always managed to think of her as Dolly. Yes; it was obvious that
whether she stayed up in town or stayed in West Kensington, she should
be unable to prevent some of the family from going to see her, and, as
they would not appreciate the fact that not even the greatest actresses
begin by playing Lady Macbeth, she must make the best of their
inspection.
So, one Sunday afternoon when the laburnum buds were yellowing in
Lonsdale Road, Dorothy drove back to No. 17. Everything was much the
same except that Dolly--Dorothy was firm from the moment she entered the
house about refusing to answer any more to Norah--had, presumably in
revenge for the loss of her name, taken her sister's bed. Mr. Caffyn was
glad to hear that the difficulties and dangers of stage life had been
exaggerated, and promised that he would warn the Bishop of Hampstead,
who was billed to preside at a forthcoming meeting of the Church and
Stage Society, not to make too much of them in his anxiety about
theatrical souls. Dorothy succeeded in deterring her relations from
going to the theater the first week at Camberwell; but the following
week, when the playbills of "Miss Elsie of Chelsea" flaunted themselves
in every shop-window of West Kensington, a large party, not merely of
the immediate family, but of uncles and aunts and cousins raked together
from every obscure suburb in London, swarmed for the Thursday matinée,
and, what was worse, insisted on buzzing round Dorothy outside the
stage-door in order to take her out to tea between the performances.
They alluded with some disappointment to the inconspicuousness of the
part she played, and they all agreed that the outstanding feature of the
performance was the comedian. They thought it must be very nice for
Dorothy to have such a splendid humorist perpetually at hand.
"But he's not funny off the stage," explained Dorothy, crossly.
Public-domain text, read in full here on John Shaqi.
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