World War, 1914-1918 -- Naval operations -- Submarine; World War, 1914-1918 -- United States
Almost instinctively the minds of the British people turned to the day,
nearly three hundred years before, when the _Mayflower_ sailed for the
wilderness beyond the seas. The moving picture film, which depicted the
arrival of our first destroyer division, and which was exhibited all
over Great Britain to enthusiastic crowds, cleverly accentuated this
idea. This film related how, in 1620, a few Englishmen had landed in
North America; how these adventurers had laid the foundations of a new
state based on English conceptions of justice and liberty; how they had
grown great and prosperous; how the stupidity of certain British
statesmen had forced them to declare their independence; how they had
fought for this independence with the utmost heroism; how out of these
disjointed British colonies they had founded one of the mightiest
nations of history; and how now, when the liberties of mankind were
endangered, the descendants of the old _Mayflower_ pioneers had in their
turn crossed the ocean--this time going eastward--to fight for the
traditions of their race. Had Americans been making this film, they
would have illustrated another famous episode in our history that
antedated, by thirteen years, the voyage of the _Mayflower_--that is,
the landing of British colonists in Virginia, in 1607; but in the minds
of the English people the name _Mayflower_ had become merely a symbol of
American progress and all that it represented. This whole story appealed
to the British masses as one of the great miracles of history--a
single, miserable little settlement in Massachusetts Bay expanding into
a continent overflowing with resources and wealth; a shipload of men,
women, and children developing, in less than three centuries, into a
nation of more than 100,000,000 people. And the arrival of our
destroyers, pictured on the film, informed the British people that all
this youth and energy had been thrown upon their side of the battle.
Public-domain text, read in full here on John Shaqi.
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