The Vintage: A Romance of the Greek War of IndependenceBenson, E. F. (Edward Frederic)
History
The Vintage: A Romance of the Greek War of Independence
Benson, E. F. (Edward Frederic)
Greece -- History -- War of Independence, 1821-1829 -- Fiction
Then there came the final act of the grape-gathering, a page of pagan
ritual surviving from the time when the rout of Dionysus laughed and
rioted through the vineyard. Mitsos fetched a big bowl from the house,
and Constantine cut all the grapes from the remaining vine. These he
placed in the bowl and left in the middle of the vineyard for the birds
to eat.
For the next two days the must required no attention, though the
fermentation, owing to the heat of the weather, was going on very
rapidly, and by the end of the second day the thin acrid smell mingled
strongly with the garden scents. Once or twice Constantine raised the
cloths which covered the casks to see what progress it made, or drew a
little from the tap at the bottom. But the stuff was still thick, and
had not cleared sufficiently to be disturbed yet.
On the second day Mitsos went off to get fresh resin for the wine.
The ordinary pine resin was generally used by Greeks for this, but
Constantine always preferred the resin from the dwarf pine, which
was less bitter and finer in quality. The sides of Mount Elias were
plentiful with the common pine, but the dwarf pine only grew on the
hills round Epidaurus, a five hours' journey. Mitsos took his gun with
him on the chance of sighting and slaying game, and started off on
his pony before dawn, for the way wound over low, unsheltered hills,
a day-long target for the sun; but before he reached the shoulder of
mountain in which was cut the old grass-grown theatre, about which
the dwarf pines grew, the sun, already high, had drawn up the heavy
dews of the night before, and the air was quivering with heat like
a man in an ague fit. The growth of these pines was that of bushes
rather than trees, some of them covering a space of ten yards square,
gnarl-trunked, and sprawling along the ground. On some dozen of them he
selected a place near the root and cut off a piece of bark a few inches
square in order that the resin might ooze from the lips of the wounded
trunk, placing below each a flat stone to catch the dripping. In a few
days' time there would be sufficient resin collected for the year's
wine. On several trees he found the incisions he had made in previous
years, in some of which, where the flow of resin had continued after
he had removed it for the wine, it had gone on dripping until a little
pillar, like the slag-wax from a candle, stood up between the stone and
the tree. He cut off one of these to see whether it was still good, but
the damp had soaked into it, and the outside surface was covered with a
gray fungus growth which rendered it useless.
Public-domain text, read in full here on John Shaqi.
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