James lit a fresh cigarette in smiling silence.
“He has met me once--twice--no, three times,” she meditated aloud. “But
he knows what I'm like. He boasts of his divination and when one puts
him to the test he repudiates.”
“All I should have claimed is that I know I don't know what you are
like.”
“Which is something,” she conceded.
“It's a good deal,” he claimed for himself. “It shows a beginning of
understanding. And--given the opportunity--I hope to know more.” He
questioned of her eyes how far he might go. “It's the incomprehensible
that lures. It piques interest and lends magic. Behind those eyelids a
little weary all the subtle hidden meaning of the ages shadows. The gods
forbid that I should claim to hold the answer to the eternal mystery of
woman.”
“Dear me! I ask for a photograph and he gives me a poem,” she mocked,
touching an electric button.
“I try merely to interpret the poem.”
She looked at him under lowered lids with a growing interest. Her
experience had not warranted her in hoping that he would prove worth
while. It would be clear gain if he were to disappoint her agreeably.
“I think I have read somewhere that the function of present-day
criticism is to befog the mind and blur the object criticised.”
He considered an answer, but gave it up when a maid appeared with a
tray, and after a minute of deft arrangement disappeared to return
with the added paraphernalia that goes to the making and consuming of
afternoon tea.
James watched in a pleasant content the easy grace with which the
flashing hands of his hostess manipulated the brew. Presently she flung
open a wing of the elaborate cellaret that stood near and disclosed a
gleaming array of cut-glass decanters. Her fingers hovered over them.
“Cognac?”
“Think I'll take my tea straight just as you make it.”
“Most Western men don't care for afternoon tea. You should hear my
father on the subject.”
“I can imagine him.” He smiled. “But if he has tried it with you I
should think he'd be converted.”
She laughed at him in the slow tantalizing way that might mean anything
or nothing. “I absolve you of the necessity of saying pretty things.
Instead, you may continue that portrait you were drawing when the maid
interrupted.”
“It's a subject I can't do justice.”
She laughed disdainfully. “I thought it was time for the flattery. As
if I couldn't extort that from any man. It's the A B C of our education.
But the truth about one's self--the unpalatable, bitter truth--there's a
sting of unexpected pleasure in hearing that judicially.”
“And do you get that pleasure often?”
“Not often. Men are dreadful cowards, you know. My father is about the
only man who dares tell it to me.”
Public-domain text, read in full here on John Shaqi.
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