The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
The second hypothesis supposes that the present order of things, at some
no very remote time, had a sudden origin, and that the world, such as it
now is, had chaos for its phenomenal antecedent. That is the doctrine
which you will find stated most fully and clearly in the immortal poem of
John Milton,--the English "Divina Commoedia,"--"Paradise Lost." I
believe it is largely to the influence of that remarkable work, combined
with the daily teachings to which we have all listened in our childhood,
that this hypothesis owes its general wide diffusion as one of the current
beliefs of English-speaking people. If you turn to the seventh book of
"Paradise Lost," you will find there stated the hypothesis to which I
refer, which is briefly this: that this visible universe of ours came into
existence at no great distance of time from the present; and that the
parts of which it is composed made their appearance, in a certain definite
order, in the space of six natural days, in such a manner that, on the
first of these days, light appeared; that, on the second, the firmament,
or sky, separated the waters above from the waters beneath the firmament;
that, on the third day, the waters drew away from the dry land, and upon
it a varied vegetable life, similar to that which now exists, made its
appearance; that the fourth day was signalized by the apparition of the
sun, the stars, the moon, and the planets; that, on the fifth day, aquatic
animals originated within the waters; that, on the sixth day, the earth
gave rise to our four-footed terrestrial creatures, and to all varieties
of terrestrial animals except birds, which had appeared on the preceding
day; and, finally, that man appeared upon the earth, and the emergence of
the universe from chaos was finished. Milton tells us, without the least
ambiguity, what a spectator of these marvelous occurrences would have
witnessed. I doubt not that his poem is familiar to all of you, but I
should like to recall one passage to your minds, in order that I may be
justified in what I have said regarding the perfectly concrete, definite
picture of the origin of the animal world which Milton draws. He says:--
Public-domain text, read in full here on John Shaqi.
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