The Wampanoags in the seventeenth century : $b An ethnohistorical surveyMarten, Catherine
History
The Wampanoags in the seventeenth century : $b An ethnohistorical survey
Marten, Catherine
Indians of North America -- New England -- History -- 17th century; Wampanoag Indians
Death and the dead were greatly feared by the Wampanoags.[510]
Theories as to the causes of death are little noted by the European
chroniclers; there was, however, the idea that the death of a child
could result from supernatural anger with the parent.[511] After
death the “good” were thought to go to the southwest, where they
would lead an idyllic existence. Less fortunate people were doomed to
wandering about aimlessly.[512]
Burial prepared the deceased for his journey to the southwest.
Hazards were expected along the way (a large dog is one that is
mentioned.)[513] For this reason, and because the afterlife was
expected to be like earthly existence, the equipment of life—weapons,
wampum, ornaments, pots, and the like were buried along with the
dead.[514] In the case of children, the parents might make gifts of
special ornaments and treasures and put them into the grave.[515]
One specially appointed person, “commonly some wise, grave, and
well-descented man” had the job of preparing the corpse for burial
and committing it to the earth.[516] Woven mats were used to line
the grave. Boards might be placed in as lining for the grave of
an important person, likewise a greater wealth of possessions and
richer covering of mats indicated a person of higher station.[517]
The body was placed into the grave in a sitting position—arms were
drawn across the chest and knees were bent up; it was covered with
a mat.[518] To mark an important grave a skin mantle might be hung
nearby and left there until it rotted.[519] It was also reported that
monuments were raised over the graves of great men, but there is no
indication of what these might have been.[520]
There was considerable mourning and display of grief for the dead.
Both men and women painted their faces black to signify grief.[521]
Women would paint their faces as soon as an illness appeared to be
serious, but men did not do so until death had occurred.[522] At the
moment of death the assembled spectators would begin wailing and
lamenting, men and women alike.[523]
Public-domain text, read in full here on John Shaqi.
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