The Wanderer; or, Female Difficulties (Volume 3 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 3 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
Such a report could not fail to allure staring customers to the shop,
where the attraction of the youth and beauty of the new work-woman,
contrasted with her determined silence to all enquiry, gave birth to
perpetually varying conjectures in her presence, which were followed by
the most eccentric assertions where she was the subject of discourse in
her absence. All that already had been spread abroad, of her acting, her
teaching, her playing the harp, her needle-work, and, more than all, her
having excited a suicide; was now in every mouth; and curiosity, baffled
in successive attempts to penetrate into the truth, supplied, as usual,
every chasm of fact by invention.
This species of commerce, always at hand, and always fertile, proved so
highly amusing to the lassitude of the idle, and to the frivolousness of
the dissipated, that, in a very few days, the shop of Miss Matson became
the general rendezvous of the saunterers, male and female, of
Brighthelmstone. The starers were happy to present themselves where
there was something to see; the strollers, where there was any where to
go; the loungers, where there was any pretence to stay; and the curious
where there was any thing to develop in which they had no concern.
Juliet, at first, ignorant of the usual traffic of the shop, imagined
this affluence of customers to be habitual; but she was soon undeceived,
by finding herself the object of inquisitive examination; and by
overhearing unrestrained inquiries made to Miss Matson, of 'Pray, Ma'am,
which is your famous French milliner?'
In the midst of these various distastes and discomforts, some interest
was raised in the mind of Juliet, for one of her young
fellow-work-women. It was not, indeed, that warm interest which is the
precursor of friendship; its object had no qualities that could rise to
such a height; it was simply a sensation of pity, abetted by a wish of
doing good.
Flora Pierson, without either fine features or fine countenance, had
strikingly the beauty of youth in a fair complexion, round, plump, rosy
cheeks, bright, though unmeaning eyes, and an air of health, strength,
and juvenile good humour, that was diffused copiously through her whole
appearance. She was innocent and inoffensive, and, as far as she was
able to think, well meaning, and ready to be at every body's command;
though incapable to be at any body's service. Yet her simplicity was of
that happy sort that never occasions self-distress, from being wholly
unaccompanied by any consciousness of deficiency or inferiority.
Accustomed to be laughed at almost whenever she spoke, she saw the smile
that she raised without emotion; or participated in it without knowing
why; and she heard the sneer that followed her simple merriment without
displeasure; though sometimes she would a little wonder what it meant.
Public-domain text, read in full here on John Shaqi.
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