The Wanderer; or, Female Difficulties (Volume 5 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 5 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
Juliet, whose deep distress made her as little desire to see as to be
seen, repeated that she wished to sit still in some spare room: he
walked on, pretending not to hear her, addressing himself to his
_Cicerone_, whom he kept at his side; and therefore, as there was no
female in view, to whom she could apply, she was compelled to follow.
Not as Juliet she followed; Juliet whose soul was delightedly 'awake to
tender strokes of art,' whether in painting, music, or poetry; who never
saw excellence without emotion; and whose skill and taste would have
heightened her pleasure into rapture, her approbation into enthusiasm,
in viewing the delicious assemblage of painting, statuary, antiques,
natural curiosities, and artificial rarities, of Wilton;--not as Juliet,
she followed; but as one to whom every thing was indifferent; whose
discernment was gone, whose eyes were dimmed, whose powers of perception
were asleep, and whose spirit of enjoyment was annihilated. Figures of
the noblest sculpture; busts of historical interest; _alto_ and _basso
relievos_ of antique elegance; marbles, alabasters, spars, and lavers of
all colours, and in all forms; pictures glowing into life, and statues
appearing to command their beholders;--all that, at another period,
would have made her forget every thing but themselves, now vainly
solicited a moment of her attention.
It was by no means the fault of the Baronet, that this nearly morbid
insensibility was not conquered, by the revivyfying objects which
surrounded her. He suffered her not to pass an Æsculapius, without
demanding a prescription for her health; a Mercury, without supplicating
an ordonnance for her spirits; a Minerva, without claiming an
exhortation to courage; nor a Venus, without pointing out, that
perpetual beauty beams but through perpetual smiles: couching every
phrase under emblematical recommendations of story-subjects for the
nursery.
When the guide stood somewhat aloof, 'What say you, now,' he exultingly
whispered, 'to my famous little friends? Did they ever devise a more
ingenious gambol? From your slave, by a mere wave of their wand, they
have transformed me into your master! Ah, wicked syren! a dimple of
yours demolishes all their work, and again totters me down to your
feet!'
Nevertheless, even in this nearly torpid state, accident having raised
her eyes to Vandyke's children of Charles the First, the extraordinary
attraction of that fascinating picture, was exciting, unconsciously,
some pleasure, when the sound of a carriage announcing a party to see
the house, she petitioned Sir Jaspar to avoid, if possible, being known.
Public-domain text, read in full here on John Shaqi.
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