For the student, newly arrived from the provinces, to whose modest purse
the theatres and other places of amusement are practically closed, the
_café_ is a supreme resource. His mind is moulded, his ideas and
opinions formed, more by what he hears and sees there than by any other
influence. A restaurant is of little importance. One may eat anywhere.
But the choice of his _café_ will often give the bent to a young man’s
career, and indicate his exact shade of politics and his opinions on
literature, music, or art. In Paris, to know a man at all is to know
where you can find him at the hour of the _apéritif_—what Baudelaire
called
_L’heure sainte_
_De l’absinthe_.
When young men form a society among themselves, a _café_ is chosen as
their meeting-place. Thousands of establishments exist only by such
patronage, as, for example, the Café de la Régence, Place du Théâtre
Français, which is frequented entirely by men who play chess.
Business men transact their affairs as much over their coffee as in their
offices. The reading man finds at his _café_ the daily and weekly
papers; a writer is sure of the undisturbed possession of pen, ink, and
paper. Henri Murger, the author, when asked once why he continued to
patronize a certain establishment notorious for the inferior quality of
its beer, answered, “Yes, the beer is poor, but they keep such good
_ink_!”
The use of a _café_ does not imply any great expenditure, a
_consummation_ costing but little. With it is acquired the right to use
the establishment for an indefinite number of hours, the client being
warmed, lighted, and served. From five to seven, and again after dinner,
the _habitués_ stroll in, grouping themselves about the small tables,
each new-comer joining a congenial circle, ordering his drink, and
settling himself for a long sitting. The last editorial, the newest
picture, or the fall of a ministry is discussed with a vehemence and an
interest unknown to Anglo-Saxon natures. Suddenly, in the excitement of
the discussion, some one will rise in his place and begin speaking. If
you happen to drop in at that moment, the lady at the desk will welcome
you with, “You are just in time! Monsieur So-and-So is speaking; the
evening promises to be interesting.” She is charmed; her establishment
will shine with a reflected light, and new patrons be drawn there, if the
debates are brilliant. So universal is this custom that there is hardly
an orator to-day at the French bar or in the Senate, who has not broken
his first lance in some such obscure tournament, under the smiling
glances of the _dame du comptoir_.
Public-domain text, read in full here on John Shaqi.
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