Jean had returned to say that M. de Claviers-Grandchamp was in the dining-room. And it was there that the son and the secretary found the improvident owner of the treasures coveted by the Altona band. The _grand seigneur_ still wore his hunting costume. He had not had a quarter of an hour to himself since his return. He was engaged now with his major-domo--another example of his grand manner--in arranging the seats around the enormous table, which was all laid and ready. Innumerable lighted candles already shone upon the silver plate engraved by Roëttiers. The flat dishes displayed their edges of interlaced ribbons on the brilliant whiteness of the cloth, around the central épergne, a masterpiece signed by Germain. It represented the abduction of Europa, on a large _rocaille pedestal_. Wainscoting rebuilt in the eighteenth century, in the style of Gabriel, covered the walls of the octagonal room. Eight pillars at the eight angles, fluted, and topped by Corinthian capitals, imparted a majestic aspect, which was enlivened by four high Gobelin tapestries, of Oudry's hunting series, alternating with mirrors. On occasions like this these panels prolonged on the walls the day's amusement, as did the hunting-horns surrounded by laurel-branches, chefs-d'œuvre of Gonthière, which could be distinguished in the decorations. The cream-white tone of the woodwork harmonized with that of the cane-seated dining-chairs, and with the reflection of the central chandelier, of Venetian glass,--a caprice of one of the châtelaines of former days, the wife of the restorer of Grandchamp, whose portrait by Parrocel was set into the wall over the white marble chimneypiece. He was on horseback and wore the uniform of a lieutenant-general,--which he had earned by being wounded at Fontenoy,--the cuirass under the light blue coat, the white scarf, the red ribbon, and held in his hand the baton of a general. This ensemble, with the soft and vivid hues of the flowers, blended with the glistening of the glasses, imparted a touch of grace amid all the magnificence, which suddenly assumed a tragic aspect in the young man's eyes. The figures set forth by Chaffin appeared on the walls as distinctly as the Mene-Tekel-Upharsin of the Biblical feast; and as suddenly he was conscious of that impossibility which the other had foreseen--the impossibility of inflicting the pain of a similar vision upon the impoverished and superb "Émigré," whose last joy this sumptuous entertainment might prove to be--a childish joy, but heartfelt and earnest in its bountiful outflow.