The Wellfields: A novel. Vol. 2 of 3Fothergill, Jessie
General
The Wellfields: A novel. Vol. 2 of 3
Fothergill, Jessie
English fiction -- 19th century
Relieved in her mind at having Jerome’s consent, and Wilhelmi’s
approval, Sara gave herself up with genuine artist’s delight to
rehearsing and preparing her parts; that of Thusnelda in especial,
giving her real joy and pleasure. The festival itself was fixed for the
middle of October.
[Illustration]
CHAPTER III.
THE SECOND MEETING.
IT had at first been intended to give the _tableaux vivants_, or as
they call them in Germany, _lebende Bilder_, in the small hall of the
pretty little _Malkasten_, or artists’ club; but so numerous had been
the applications for places, that it was decided instead to have them
in a larger room belonging to the building where all the concerts were
held—the public _Tonhalle_. This proved quite successful, and every
seat was taken a week beforehand.
It was a very pretty sight: all Elberthal was there; assembled, too,
in good time, and everyone talking, laughing, moving about with
a freedom, an ease, and an absence of ceremony peculiar to German
entertainments of the kind.
Sara Ford and Avice went with the Wilhelmis, who, being important
persons in the affair, had naturally secured a number of the uppermost
seats. Sara’s parts were in the second and fourth pictures. She
accordingly had to go and dress for her part of Thusnelda while the
first picture was being given. She left Avice, seated between Luise
Wilhelmi and her mother, and therefore safely chaperoned. Luise was in
a state of wild excitement, which indeed was her chronic condition.
She was a very sprightly, pretty brunette, fond of brilliant colours,
and given to attiring herself in a somewhat stagey manner. On this
occasion she was strikingly but becomingly dressed in hues of amber and
pomegranate, with many slits and slashes, tags and ends and furbelows.
Nothing would induce her to yield to her father’s requests that she
would dress with a noble and classic simplicity, or to her lover’s
representations that white muslin and blue ribbon and a generally
inexpensive shepherdess style of thing would become her wonderfully
well. Fräulein Luise loved silk and satin, rich fabrics and bright
jewels, and so long as anyone could be found to provide her with them,
she would wear them. Avice Wellfield, beside her, looked like an
inhabitant of another world. It was the first time she had been out
anywhere since her father’s death; and her plain black frock and white
_crêpe_ ruffles at neck and wrists formed a pointed contrast to Luise’s
flashing colours and glittering rings and chains and bangles. Avice had
plaited her hair up into a coronet, which gave her an older, staider
look. The girl was fulfilling, more and more every day, Sara’s prophecy
to her brother, that she would one day be beautiful. Her new life,
happier despite its poverty than the old one, had called forth that
beauty, while the intellect, which had formerly been repressed and was
now in every way encouraged to develop itself, gave dignity and depth
Public-domain text, read in full here on John Shaqi.
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