Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
Marcia’s excited mood had passed, and she leaned forward with her chin
in her hand, watching rather pensively the soft Roman twilight as it
crept over the Campagna. What she really saw, however, was the sunlit
cloister of St. Paul Without the Walls and Paul Dessart’s face as he
talked to her. Was she really in love with him, she asked herself, or
was it just—Italy? She did not know and she did not want to think. It
was so much pleasanter merely to drift, and so very difficult to make
up one’s mind. Everything had been so care-free before, why must he
bring the question to an issue? It was a question she did not wish to
decide for a long, long time. Would he be willing to wait—to wait for
an indefinite future that in the end might never come? Patience was not
Paul’s way. Suppose he refused to drift; suppose he insisted on his
answer now—did she wish to give him up? No; quite frankly, she did
not. She pictured him as he stood there in the cloister, with the warm
sunlight and shadow playing about him, with his laughing, boyish face
for the instant sober, his eager, insistent eyes bent upon her, his
words for once stammering and halting. He was very attractive, very
convincing; and yet she sighed. Life for her was still in the future.
The world was new and full and varied, and experience was beckoning.
There were many things to see and do, and she wanted to be free.
The short southern twilight faded quickly and a full moon took its
place in a cloudless turquoise sky. The light flooded the dim
compartment with a shimmering brilliancy, and outside it was almost
dazzling in its glowing whiteness. Marcia leaned against the window,
gazing out at the rolling plain. The tall arches of Aqua Felice were
silhouetted darkly against the sky, and in the distance the horizon was
broken by the misty outline of the Sabine hills. Now and then they
passed a lonely group of farm-buildings set in a cluster of eucalyptus
trees, planted against the fever; but for the most part the scene was
barren and desolate, with scarcely a suggestion of actual, breathing
human light. On the Appian Way were visible the gaunt outlines of Latin
tombs, and occasionally the ruined remains of a mediaeval watch-tower.
The picture was almost too perfect in its beauty; it was like the
painted back drop for a spectacular play. Scarcely real, and yet one of
the oldest things in the world—the rolling Campagna, the arches of the
aqueducts, Rome behind and the Sabines before. So it had been for
centuries; thousands of human lives were wrapped up in it. That was its
charm. The picture was not inanimate, but pathetically human. As she
looked far off across the plain so mournfully beautiful in its
desolation, a sudden rush of feeling swept over her, a rush of that
insane love of Italy which has engulfed so many foreigners in the
waters of Lethe. She knew now how Paul felt. Italy! Italy! She loved it
too.
Public-domain text, read in full here on John Shaqi.
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