Bildungsromans; Midlands (England) -- Fiction; Young men -- Fiction
I stripped one of its horny brown coat and gave it to her. She opened
her mouth slightly to take it, looking up into my eyes. Some people,
instead of bringing with them clouds of glory, trail clouds of sorrow;
they are born with “the gift of sorrow”; “sorrows” they proclaim “alone
are real. The veiled grey angels of sorrow work out slowly the
beautiful shapes. Sorrow is beauty, and the supreme blessedness.” You
read it in their eyes, and in the tones of their voices. Emily had the
gift of sorrow. It fascinated me, but it drove me to rebellion.
We followed the soft, smooth-bitten turf road under the old beeches.
The hillside fell away, dishevelled with thistles and coarse grass.
Soon we were in sight of the Kennels, the red old Kennels which had
been the scene of so much animation in the time of Lord Byron. They
were empty now, overgrown with weeds. The barred windows of the
cottages were grey with dust; there was no need now to protect the
windows from cattle, dog or man. One of the three houses was inhabited.
Clear water trickled through a wooden runnel into a great stone trough
outside near the door.
“Come here,” said I to Emily. “Let me fasten the back of your dress.”
“Is it undone?” she asked, looking quickly over her shoulder, and
blushing.
As I was engaged in my task, a girl came out of the cottage with a
black kettle and a tea-cup. She was so surprised to see me thus
occupied that she forgot her own duty, and stood open-mouthed.
“S’r Ann! S’r Ann,” called a voice from inside. “Are ter goin’ ter come
in an’ shut that door?”
Sarah Ann hastily poured a few cupfuls of water into the kettle, then
she put down both utensils and stood holding her bare arms to warm
them. Her chief garment consisted of a skirt with grey bodice and red
flannel skirt, very much torn. Her black hair hung in wild tails on to
her shoulders.
“We must go in here,” said I, approaching the girl. She, however,
hastily seized the kettle and ran indoors with an “Oh, mother!”
A woman came to the door. One breast was bare, and hung over her
blouse, which, like a dressing-jacket, fell loose over her skirt. Her
fading, red-brown hair was all frowsy from the bed. In the folds of her
skirt clung a swarthy urchin with a shockingly short shirt. He stared
at us with big black eyes, the only portion of his face undecorated
with egg and jam. The woman’s blue eyes questioned us languidly. I told
her our errand.
“Come in—come in,” she said, “but dunna look at th’ ’ouse. Th’ childers
not been long up. Go in, Billy, wi’ nowt on!”
Public-domain text, read in full here on John Shaqi.
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