The Wide World Magazine, Vol. 22, No. 131, February, 1909Various
History
The Wide World Magazine, Vol. 22, No. 131, February, 1909
Various
Adventure stories -- Periodicals; English periodicals; History, Modern -- 20th century -- Periodicals; Voyages and travels -- Periodicals
The dancing women of the province of Algiers and Oran are nearly all of
the tribes of the Ouled Najls. The women of these tribes have chosen
dancing as their profession, and when quite young they go forth to earn
their dowry by “tripping on the light fantastic toe.” When they have
earned it they generally return home, marry, and make as good wives and
mothers as the rest of womenkind.
[Illustration: A GROUP OF DANCING GIRLS OF THE OULED NAJL.
_From a Photograph._]
There are now about thirty-eight tribes of Ouled Najls, stretching
from Biskara to the Djebel-Amour, all pastoral, wandering wherever
the blessed rain of heaven falls and grasses grow, without taking any
notice of distance or frontiers. The supreme happiness of a Najl is to
find a quiet corner where the grass is green and abundant, and there to
snooze under the sun’s rays, watching his sheep and camels fatten, and
fattening himself as well, for he lives chiefly on their milk. Later he
exchanges his flocks for corn, dates, and everything necessary for his
existence. Truly these people are still in the age of Abraham.
[Illustration: THE BACH-AGHA OF THE LARBAAS, AN IMPORTANT ARAB CHIEF.
_From a Photograph._]
A fortnight after I arrived at Laghouat the Bach-Agha of the Larbaas
(a tribe of warriors who have always been faithful to France) gave a
“diffa” in our honour. Warned by my experience of painful memory at
Teniet-el-Haad, I did not try to partake of all the twenty-five dishes
which were served in weary succession. After the repast was over we
paid a visit to the chief’s two wives. The favourite, a young woman
of twenty-four, was most beautifully dressed in eau-de Nil brocade.
The costume was that of the Algiers women, full trousers closing in
tightly round the small, silk-socked, golden-slippered feet. Then came
a three-quarter skirt of the same material and a much-embroidered
tight-fitting bodice. The front of this latter garment was so covered
with jewels that the stuff was hardly visible. The head-dress was
composed of silk handkerchiefs and chains of gold and precious stones.
She had two children, a boy of eight and a girl ten years old. She
told me she was very happy, that she had been married to the Bach-Agha
since she was twelve years old, and that he had only beaten her once,
when she had broken one of her pieces of jewellery in a temper. She
showed us the very piece, with much laughter--a big, finely-worked gold
filigree disc.
“You did not laugh so loudly when you felt the _matraque_ on your
shoulders,” said a grim voice behind her.
Without another word she pulled one of her handkerchiefs over her
face and stood motionless. It was now our turn to laugh, which we did
heartily, for we had seen the Bach-Agha come in, and had understood his
sign for us not to betray him.
After teasing her a little the good old man--he was sixty--told her to
unveil, but not to boast too much of her one beating, or he should have
to make it two.
Public-domain text, read in full here on John Shaqi.
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