The Widow Barnaby. Vol. 2 (of 3)Trollope, Frances Milton
General
The Widow Barnaby. Vol. 2 (of 3)
Trollope, Frances Milton
England -- Social life and customs -- 19th century -- Fiction; Social classes -- England -- Fiction; Widows -- Fiction
On reading this note, Agnes walked up stairs to the drawing-room, which
she found uncarpeted, in preparation for the music of the evening, and a
grand pianoforte standing in the middle of it. Now it so happened that,
notwithstanding the constant visits of Agnes in Rodney Place, and the
general love of music which reigned there, she had never been asked if
she could play or sing, and had never by any chance done either. There
are some houses, and very pleasant ones, too, in their way, in which
music is considered by the family as a sort of property belonging of
right to them, _en portage_ with professors indeed, but with which no
one else can interfere,--at least within their precincts, without
manifest impertinence. The house of Mrs. Peters was one of these. James,
who, as we have seen, was an exceedingly amiable young man, never did
anything from morning to night, if he could help it, but practise on the
violoncello, and sing duets with his sister Lucy. Miss Peters was the
only one who shared not in the talent or the monopoly, for Elizabeth
played the harp, and Lucy sang and accompanied herself on the piano
during by far the greater part of every day. Agnes was delighted by
their performance; and though she longed once more to touch the keys
herself, and perhaps to hear her own sweet voice again, she had never
found courage sufficient to enable her to ask permission to do so.
When, therefore, she found herself perfectly alone, with the tempting
instrument before her, and a large collection of music placed beside it,
she eagerly applied her hand to try if it were open: it yielded to her
touch, and in a moment her hands were running over the keys with that
species of ecstasy which a young enthusiast in the science always feels
after having been long deprived of the use of an instrument.
Agnes played correctly, and with great taste and feeling, but she could
by no means compete with Lucy Peters as an accomplished pianiste; she
had enjoyed neither equal practice nor equal instruction. But there was
one branch of the "gay science" in which she excelled her far beyond the
reach of comparison, for Agnes had a voice but rarely equalled in any
country. Of the pre-eminence of her power she was herself profoundly
ignorant, and if she preferred hearing her own glorious notes to those
of any other voice which had yet reached her, she truly believed it was
because there was such a very great pleasure in hearing one's-self
sing,--an opinion that had been considerably strengthened by her
observations on Lucy.
It was with very great delight, unquestionably, that Agnes now listened
to the sounds she made. The size of the room, the absence of the carpet,
the excellence and the isolation of the instrument, were all advantages
she had not enjoyed before, and her pleasure was almost childish in its
ecstasy. She let her rich voice run, like the lark's, into wanton
playfulness of ornament, and felt her own power with equal joy and
surprise.
Public-domain text, read in full here on John Shaqi.
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