The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
A thousand times since my arrival in this transmundane region, I have
had reason to feel how much we are the creatures of situation; how
insensibly our minds and our feelings take their tone from the influence
of existing circumstances. You have seen me frequently the very
prototype of _nonchalence_, in the midst of a circle of birthday
beauties, that might have put the fabled charms of the _Mount Ida
triumviri_ to the blush of inferiority. Yet here I am, groping my way
down the dismantled stone stairs of a ruined castle in the wilds of
Connaught, with my heart fluttering like the pulse of green eighteen, in
the presence of its first love, merely because on the point of appearing
before a simple rusticated girl, whose father calls himself _a prince_,
with a _potatoe ridge for his dominions!_ O! with what indifference
I should have met her in the drawingroom, or at the opera!--there she
would have been merely a woman!--here she is the fairy vision of my
heated fancy.
Well, having finished the same circuitous journey that a squirrel
diurnally performs in his cage, I found myself landed in a stone
passage, which was terminated by the identical chamber of fatal memory
already mentioned, and through the vista of a huge folding door, partly
thrown back, beheld the form of Glorvina! She was alone, and bending
over her harp; one arm was gracefully thrown over the instrument, which
she was tuning; with the other she was lightly modulating on its chords.
Too timid to proceed, yet unwilling to retreat, I was still hovering
near the door, when turning round, she observed me, and I advanced.
She blushed to the eyes, and returned my profound bow with a slight
inclination of the head, as if I were unworthy a more marked obeisance.
Nothing in the theory of sentiment could be more diametrically opposite,
than the bashful indication of that crimson blush, and the haughty
spirit of that graceful bow. What a logical analysis would it have
afforded to Father John on innate and acquired ideas! Her blush was the
effusion of nature; her bow the result of inculcation--the one spoke the
native woman; the other the _ideal_ princess.
I endeavoured to apologize for my intrusion; and she, in a manner
that amazed me, congratulated me on my recovery; then drawing her harp
towards her, she seated herself on the great Gothic couch, with a motion
of the hand, and a look, that seemed to say, “there is room for you
too.” I bowed my acceptance of the silent welcome invitation.
Behold me then seated _tete-a-tete_ with this Irish Princess!--my right
arm thrown over her harp, and her eyes riveted on my left.
“Do you still feel any pain from it?” said she, so naturally, as though
we had actually been discussing the accident it had sustained.
Would you believe it! I never thought of making her an answer; but
fastened my eyes on her face. For a moment she raised her glance to
mine, and we both coloured, as if she read there--I know not what!
Public-domain text, read in full here on John Shaqi.
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