The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
The priest and I dined _tete-a-tete_; and, for the first time, he had
all the conversation to himself; and got deep in Locke and Malbranche,
in solving quidities, and starting hypothesis, to which I assented with
great gravity, and thought only of Glorvina.
I again beheld her gracefully drooping over her harp--I again caught
the melody of her song, and the sentiment it conveyed to the soul; and
I entered fully into the idea of the Greek painter, who drew _Love_, not
with a bow and arrow, but a lyre.
I could not avoid mentioning with admiration her great musical powers.
“Yes,” said he, “she inherits them from her mother, who obtained the
appellation of _Glorvina_, from the sweetness of her voice, by which
name our little friend was baptized at her mother’s request.”
Adieu! Glorvina has been confined in her father’s room during the whole
of the evening--to this circumstance you are indebted for this long
letter.
H. M.
LETTER VIII.
TO J. D. ESQ., M. P.
The invitation I received from the hospitable Lord of these ruins, was
so unequivocal, so cordial, that it would have been folly, not
delicacy to think of turning out of his house the moment my health was
re-established. But then, I scarcely felt it warranted that length of
residence here, which, for a thousand reasons, I am now anxious to make.
To prolong my visit till the arrival of my father in this country was
my object; and how to effect the desired purpose, was the theme of my
cogitation during the whole of the restless night which succeeded
my interview with Glorvina; and to confess the truth, I believe
this interview was not the least potent spell which fascinated me to
Inismore.
Wearied by my restlessness, rather than refreshed by my transient
slumbers, I arose with the dawn, and carrying my _port-feuille_ and
pencils with me, descended from my tower, and continued to wander
for some time among the wild and romantic scenes which surround these
interesting ruins, while
“La sainte recueihnent la paisible innocence
Sembler de ces lieus habiter le silence.”
until almost wearied in the contemplation of the varying sublimities
which the changes of the morning’s seasons shed over the ocean’s
boundless expanse, from the first gray vapour that arose from its
swelling wave, to that splendid refulgence with which the risen sun
crimsoned its bosom, I turned away my dazzled eye, and fixed it on the
ruins of Inismore. Never did it appear in an aspect so picturesquely
felicitous: it was a golden period for the poet’s fancy or the painter’s
art; and in a moment of propitious genius, I made one of the most
interesting sketches my pencil ever produced. I had just finished my
successful _ebauche_, when Father John, returning from matins, observed,
and instantly joined me. When he had looked over and commended the
result of my morning’s avocation, he gave my port-folio to a servant who
passed us, and taking my arm, we walked down together to the seashore.
Public-domain text, read in full here on John Shaqi.
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