The Wild IrishmanCrosland, T. W. H. (Thomas William Hodgson)
History
The Wild Irishman
Crosland, T. W. H. (Thomas William Hodgson)
National characteristics, Irish
Now it is plain that we have here a fairly representative selection
of the kind of wit and humor that is supposed to come to us out of
Ireland. Some of it no doubt is reasonably good, some of it is quite
mild. Possibly it is amusing, and calculated to tickle old-fashioned
people. Yet one has distinct qualms about it when one considers it as a
means for provoking the laughter of the twentieth-century person. The
fact is that humor has been made so much of a cult in the modern mind
that it has to be very humorous indeed, not to say a trifle subtle, if
it is to raise a smile. And in considering the examples quoted, we are
faced with a further difficulty. Are these anecdotes of unquestionable
Irish extraction? I am afraid not. Their authenticity is impeachable.
_Mutatis mutandis_, they have been told of Cockneys and Yorkshire men,
and Somersetshire men, and even of Scotchmen. Furthermore, there is
nothing in them that can be considered peculiarly and exclusively Irish,
or indicative of the Irish temperament and character as it exists to-day.
Your modern Irishman, as I have pointed out, is a dreary and melancholy
wight. Laughter and sprightliness have died out of him, and whether in
thought or word he is about as dull and plantigrade as even a sad man can
well be. The eminent people who stand for Ireland in this country are all
of them afflicted with a similar lack of cheerfulness. Rouse them, and
they can be as bitter and vituperative and aboriginal as any Scotchman
of them all; but their ordinary habit is sad, uncertain, and inept, and
they do not know how to laugh. Here and there one of them at the Bar, or
in the House of Commons, or at a greasy journalistic banquet, does his
feeble best to keep up the Irish tradition for smartness and wittiness
of remark. But the attempt is invariably a failure, because at the back
of it there is no real brain and no real flow of spirits. One of the
biggest bullies at the Bar is a beefy Irishman who esteems himself a
great humorist. I have heard him fire off twenty or thirty idiotic jokes
in the course of half an hour or so, and always does he snigger at the
beginning of his precious gibe; always does he snigger in the middle;
always does he make pretense of becoming apoplectic with chortle at the
end. The circumstance that people laugh at him and not with him, does not
appear to occur to his small, if legal, mind. His dearest friends call
him “the sniggerer,” and it is said that he is in the habit of retiring
to his chambers of afternoons for the purpose of having a protracted
fit of giggling. Primed with four or five glasses of cheap port, his
capacity for low comedy becomes so evident that one trembles lest some
enterprising theatrical manager should offer him the Leno-Welch part in
next year’s “Little Goody Two-shoes.” Another “witty” Irishman, who shall
be nameless, came to these shores with a fair array of good gifts at
his disposal. Knowing himself for an Irishman, and having faith in the
Public-domain text, read in full here on John Shaqi.
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