The Wizard's Daughter, and Other StoriesGraham, Margaret Collier
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The Wizard's Daughter, and Other Stories
Graham, Margaret Collier
Short stories; United States -- Social life and customs -- Fiction
"I was sayin' you'd changed a good deal, Moses," she repeated aloud.
There was no intelligence in his gaze.
"For that matter, I expect I've changed a good deal myself," she went
on. "I heard you'd had a fall, and I thought I'd better come out. You
was always kind of hard to take care of when you was sick. I remember
that time you hurt your foot on the scythe, just after we was married;
you wouldn't let anybody come near you but me"--
"Why, it's Angeline!" said the old man dreamily, with a vacant smile.
"Yes, it's me."
He closed his eyes and drifted away again. The old wife sat still on the
edge of the bed. Outside she could hear the sigh of the oaks and the
trill of young voices. Two or three tears fell over the wrinkled face,
written close with the past, like a yellow page from an old diary. She
wiped them away, and looked about the room with its meagre belongings,
which Rob had scoured into expectant neatness.
"He doesn't seem to have done very well," she thought; "but how could
he, all by himself?" She got up and walked to the door, and looked out
at the strange landscape with its masses of purple mountains.
"I've got to do one of two things," she said to herself. "I've just got
to own up the whole thing, and let the girls be mortified, or else I've
got to keep still and marry him over again, and pass for an old fool the
rest of my life. I don't believe I can do it. They've got more time to
live down disgrace than I have. I believe I'll just come out and tell
everything. Ethel!" she called. "Come here, you and Rob; I've got
something to tell you."
The young couple stood with locked arms, looking out over the valley. At
the sound of her voice they clasped each other close in an embrace of
passionate protest against the intrusion of this other soul. Then they
turned toward the sunset, and went slowly and reluctantly into the
house.
Lib
A young woman sat on the veranda of a small redwood cabin, putting her
baby to sleep. The infant displayed that aggressive wide-awakeness which
seems to characterize babies on the verge of somnolence. Now and then it
plunged its dimpled fists into the young mother's bare white breast,
stiffened its tiny form rebelliously, raised its head, and sent gleams
of defiance from beneath its drooping eyelids.
It was late in March, and the ground about the cabin was yellow with
low-growing compositæ. The air was honey-sweet and dripping with
bird-song. Inside the house a woman and a girl were talking.
"Oh, he's not worrying," said the latter. "What's he got to worry about?
He lets us do all that. Lib's got the baby and we've got to bear all the
disgrace. I"--
"Myrtie," called a clear voice from the veranda, "shut up! You may say
what you please about me, and you may say what you please about him, but
nobody's going to call this baby a disgrace."
She caught the child up and kissed the back of its neck with passionate
vehemence. The baby struggled in her embrace and gave a little cry of
outraged dignity.
Public-domain text, read in full here on John Shaqi.
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