The Wizard's Son, Vol. 2 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 2 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
Now Lord Erradeen, though he had been perverse all his life, and had
chosen the evil and rejected the good in many incomprehensible ways, was
not--or this history would never have been written--without that finer
fibre in him which responds to everything that is true and noble. How
strange this jumble is in that confusion of good and evil which we call
the mind of man! How often may we see the record of a generous action
bring tears to the eyes of one whose acts are all selfish, and whose
heart is callous to sufferings of which he is the cause: and hear him
with noble fervour applaud the self-sacrifice of the man, who in that
language by which it is the pleasure of the nineteenth century to make
heroism just half-ridiculous, and to save itself from the highflown,
"never funked and never lied; I guess he didn't know how:" and how he
will be touched to the heart by the purity of a romantic love, he who
for himself feeds on the garbage--and all this without any conscious
insincerity, the best part of him more true and real all the time than
the worst! Walter, to whom his own domestic surroundings had been so
irksome, felt a certain wholesome novelty of pleasure when he set out
between the father and daughter to see what Mr. Williamson called the
"poetical dramaw," a thing hitherto much out of the young man's way. He
had been of late in all kinds of unsavoury places, and had done his best
to debase his imagination with the burlesques; but yet he had not been
able to obliterate his own capacity for better things. And when he stood
looking over the head of Katie Williamson, and saw the lady of the
poet's tale come into the poor house of her chivalrous lover, the shock
with which the better nature in him came uppermost, gave him a pang in
the pleasure and the wonder of it. This was not the sort of heroine to
whom he had accustomed himself: but the old Italian romancer, the noble
English poet, and the fine passion and high perception of the actors,
who could understand and interpret both, were not in vain for our
prodigal. When that lady paused in the humble doorway clothed in high
reverence and poetry, not to speak of the modest splendour of her mature
beauty and noble Venetian dress, he felt himself blush, like good Mr.
Williamson, to remember all the less lovely images he had seen. He could
not applaud; it would have been a profanation. He was still pure enough
in the midst of uncleanness, and high enough though familiar with
baseness, to be transported for the moment out of himself.
Public-domain text, read in full here on John Shaqi.
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