"Up to then I am certain that she did not suspect for a second that I
was cross-examining her. But my astonishment was so great that she drew
back into the shadow, as though to put herself on the defensive. I
slipped my hand into my pocket, pulled out my little electric lamp, went
up to her, pressed the spring and flung the light full in her face. She
seemed disconcerted and stood for a moment without moving. Then she
quickly lowered a scarf which she wore over her head and, with a
strength which I should never have believed, struck me on the arm and
made me drop my lamp. Then came a second of absolute silence. I couldn't
make out where she was: whether in front of me, or on the right or the
left. There was no sound to tell me if she was there still or not. But I
understood presently, when, after picking up my lamp and switching on
the light again, I saw her two wooden shoes on the ground. She had
stepped out of them and run away on her stocking-feet. I hunted for her,
but couldn't find her. She had disappeared."
Paul had listened to his brother-in-law's story with increasing
attention.
"Then you saw her face?" he asked.
"Oh, quite distinctly! A strong face, with black hair and eyebrows and a
look of great wickedness. . . . Her clothes were those of a
peasant-woman, but too clean and too carefully put on: I felt somehow
that they were a disguise."
"About what age was she?"
"Forty."
"Would you know her again?"
"Without a moment's hesitation."
"What was the color of the scarf you mentioned?"
"Black."
"How was it fastened? In a knot?"
"No, with a brooch."
"A cameo?"
"Yes, a large cameo set in gold. How did you know that?"
Paul was silent for some time and then said:
"I will show you to-morrow, in one of the rooms at Ornequin, a portrait
which should bear a striking resemblance to the woman who spoke to you,
the sort of resemblance that exists between two sisters perhaps . . . or
. . . or . . ." He took his brother-in-law by the arm and, leading him
along, continued, "Listen to me, Bernard. There are terrible things
around us, in the present and the past, things that affect my life and
Élisabeth's . . . and yours as well. Therefore, I am struggling in the
midst of a hideous obscurity in which enemies whom I do not know have
for twenty years been pursuing a scheme which I am quite unable to
understand. In the beginning of the struggle, my father died, the victim
of a murder. To-day it is I that am being threatened. My marriage with
your sister is shattered and nothing can bring us together again, just
as nothing will ever again allow you and me to be on those terms of
friendship and confidence which we had the right to hope for. Don't ask
me any questions, Bernard, and don't try to find out any more. One day,
perhaps--and I do not wish that day ever to arrive--you will know why I
begged for your silence."
CHAPTER VI
WHAT PAUL SAW AT ORNEQUIN
Public-domain text, read in full here on John Shaqi.
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