The Woman's Part: A Record of Munitions WorkYates, L. K.
History
The Woman's Part: A Record of Munitions Work
Yates, L. K.
Great Britain. Army -- Ordnance facilities; Weapons industry -- Employees; World War, 1914-1918 -- Women
The gift in the early days of munitions development of several thousands
of pounds from an Indian prince, the Maharajah of Gwalior, for the benefit
of munitions employees, helped to focus attention from the outset on their
needful recreation. The necessity for a maximum output, bringing in its
train long shifts, overtime, and a minimum of holidays, at first left
scant leisure at the munition girl's disposal, yet it was at once apparent
that some effort must be made to render that leisure healthful and
invigorating. As soon as the Welfare Supervisors took up their positions
in the factories and came into living touch with the needs of the women
employed, requests found their way to the Ministry of Munitions for grants
for recreation purposes from the Maharajah's fund.
At first, 'a piano for the recreation-room or canteen' was the more
general appeal; for, strangely enough, after the long hours in the
engineering shops the normal munitions girl craves most, not for passive
amusement, such as 'the pictures', but for free movements of her own body.
Above all, she desires to dance, or to enjoy the rhythm of physical drill,
or, in the summer, to swim or dive, or to chase a ball in one or other of
the popular team games. Within doors, the piano provides, as it were, a
spring-board from which she can jump into a leisure-time atmosphere of
merriment; it is the send-off to her dance, the guide to her song, and the
backbone to the joy found in the united action of physical drill.
The piano once provided in canteen, or recreation-room, you will find the
munition girl footing it in the dinner-hour, or tea-interval, or in any
other period when she is off duty. So long as the tune be bright, the
merry-hearted munition-maker will dance the old dances, or the more
complicated modern steps, as her mood suggests.
From self-taught dancing, the desire for a more perfect expression in
movement is a natural evolution, and in certain cases grants from the
Maharajah's fund have defrayed the fees of dancing mistress, or sports
instructor. Sums from the same source have been paid to assist the
organization of a club, for the provision of a recreation-room, for the
erection of swings and see-saws, for the installation of a swimming-bath,
for tools and seeds for factory girls' gardens, for dramatic
entertainments, for lectures for the instruction of apprentices, and in
Ireland, for the enlargement of schools for children of women munition
workers.
Side by side with these endeavours, other efforts to promote sane
amusement for munition makers have been fructifying. Many an enlightened
factory employer, studying the problem of woman-labour within his own
works, has come to the conclusion that 'if women are called upon to work
continuously, especially at repetition jobs, their pleasure in life must
be kept alive'. Being business men, they have soon turned the theory into
practice, and have encouraged, started, and financed recreation schemes
for their own employees.
Public-domain text, read in full here on John Shaqi.
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