The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
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The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
“To this mother at forty-six, and this father at fifty, each at
intellectual top-notch, every faculty having been stirred for years by
the dire stress of civil war, and the period immediately following, the
author was born,” on a farm in Wabash county, Indiana, in 1868. “From
childhood she recalls ‘thinking things which she felt should be saved,’
and frequently tugging at her mother’s skirts and begging her to ‘set
down’ what the child considered stories and poems. Most of these were
some big fact in nature that thrilled her, usually expressed in Biblical
terms.”
The farm was called “Hopewell,” after the home of some of Mark
Stratton’s ancestors. Mark Stratton and his wife had spent twenty-five
years beautifying it. The land was rolling, with springs and streams and
plenty of remaining forest. The roads were smooth, the house and barn
commodious; the family “rode abroad in a double carriage trimmed in
patent leather, drawn by a matched team of gray horses, and sometimes
the father ‘speeded a little’ for the delight of the children.”
The girl had an invalid mother, for about the time when Gene could first
remember things Mrs. Stratton contracted typhoid after nursing three of
her children through it. She never recovered her health. The youngest
child was therefore allowed to follow her father and brothers afield
“and when tired out slept on their coats in fence corners, often awaking
with shy creatures peering into her face. She wandered where she
pleased, amusing herself with birds, flowers, insects and plays she
invented. ‘By the day I trotted from one object which attracted me to
another, singing a little song of made-up phrases about everything I saw
while I waded catching fish, chasing butterflies over clover fields, or
following a bird with a hair in its beak; much of the time I carried the
inevitable baby for a woman-child, frequently improvised from an ear of
corn in the silk, wrapped in catalpa leaf blankets.
“‘I stepped lightly, made no noise, and watched until I knew what a
mother bird fed her young before I began dropping bugs, worms, crumbs,
and fruit into little red mouths that opened at my tap on the nest quite
as readily as at the touch of the feet of the mother bird.... I fed
butterflies sweetened water and rose leaves inside the screen of a
cellar window, doctored all the sick and wounded birds and animals the
men brought me from afield; made pets of the baby squirrels and rabbits
they carried in for my amusement; collected wild flowers; and as I grew
older, gathered arrow points and goose quills for sale in Fort Wayne. So
I had the first money I ever earned.’”
At school Mrs. Porter hated mathematics. Once when a mathematical topic
for an essay was forced upon her, she broke loose and read the class a
review of Saintine’s _Picciola_, the story of an imprisoned nobleman and
a tiny flower that blossomed within prison walls. She fascinated her
audience.
Public-domain text, read in full here on John Shaqi.
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