Angels -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Fantasy fiction
But we need not follow that explanation in detail--or the subsequent
confession. (For my own part I think there is nothing more tedious than
dialogue). It gave the Vicar a new view of the Angelic character, a
vignette of the Angelic indignation. A shady lane, sun-mottled, sweet
hedges full of honeysuckle and vetch on either side, and a little girl
gathering flowers, forgetful of the barbed wire which, all along the
Sidderford Road, fenced in the dignity of Sir John Gotch from "bounders"
and the detested "million." Then suddenly a gashed hand, a bitter
outcry, and the Angel sympathetic, comforting, inquisitive. Explanations
sob-set, and then--altogether novel phenomenon in the Angelic
career--_passion_. A furious onslaught upon the barbed wire of Sir John
Gotch, barbed wire recklessly handled, slashed, bent and broken. Yet
the Angel acted without personal malice--saw in the thing only an ugly
and vicious plant that trailed insidiously among its fellows. Finally
the Angel's explanations gave the Vicar a picture of the Angel alone
amidst his destruction, trembling and amazed at the sudden force, not
himself, that had sprung up within him, and set him striking and
cutting. Amazed, too, at the crimson blood that trickled down his
fingers.
"It is still more horrible," said the Angel when the Vicar explained the
artificial nature of the thing. "If I had seen the man who put this
silly-cruel stuff there to hurt little children, I know I should have
tried to inflict pain upon him. I have never felt like this before. I am
indeed becoming tainted and coloured altogether by the wickedness of
this world."
"To think, too, that you men should be so foolish as to uphold the laws
that let a man do such spiteful things. Yes--I know; you will say it has
to be so. For some remoter reason. That is a thing that only makes me
angrier. Why cannot an act rest on its own merits?... As it does in the
Angelic Land."
That was the incident the history of which the Vicar now gradually
learnt, getting the bare outline from Horrocks, the colour and emotion
subsequently from the Angel. The thing had happened the day before the
musical festival at Siddermorton House.
"Have you told Sir John who did it?" asked the Vicar. "And are you
sure?"
"Quite sure, Sir. There can be no doubting it was your gentleman, Sir.
I've not told Sir John yet, Sir. But I shall have to tell Sir John this
evening. Meaning no offence to you, Sir, as I hopes you'll see. It's my
duty, Sir. Besides which--"
"Of course," said the Vicar, hastily. "Certainly it's your duty. And
what will Sir John do?"
"He's dreadful set against the person who did it--destroying property
like that--and sort of slapping his arrangements in the face."
Pause. Horrocks made a movement. The Vicar, tie almost at the back of
his neck now, a most unusual thing for him, stared blankly at his toes.
"I thought I'd tell you, Sir," said Horrocks.
Public-domain text, read in full here on John Shaqi.
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