Artists -- Fiction; Short stories, American; Storytelling -- Fiction
The salutation over, and the dog's soft, fur-tippet ears having been
duly rubbed, and his finely modelled cheeks pressed close between Mac's
two warm hands--their two noses were but an inch apart--His Worship
stretched himself out at full length before the fire, his nose resting
on his extended paws, his kindly, human eyes fixed on the crackling
logs.
"Lonnegan," said Mac in a thoughtful tone, "do you know I think a good
deal more of you since you got this dog? I didn't know you were that
human," and Mac changed his seat so that he could rest his hand on
Chief's head.
"Lonnegan hasn't anything human about him," broke in Boggs, tugging at
his collar to give his fat throat the more room; "not in your sense,
Mac. If you will study the Great Architect as closely as I have done,
you will see that his humanity is to always keep one point ahead of the
social game." Here Boggs got up and moved his chair to the other side of
the fireplace, so as to be out of reach of Lonnegan's long arms.
"Let me explain, gentlemen, for I don't want to do this distinguished
man any injustice. You and I, Mac, being common-sense people, without
any frills about us, wear just an ordinary plain scarf-pin--a horseshoe
or a gold ball, or some such trifle. Lonnegan must have a scarab, or a
coin two thousand years old; same thing in his dress, if you study him.
You will note that his collars are an inch higher than ours, his scarfs
twice as puffy, his coat-tails longer, his trouserloons more baggy--not
offensively baggy, gentlemen," and he waved his hand to the coterie;
"perhaps more unique in cut, so to put it. So it is with his dogs. This
big St. Bernard, hulking along after the Great Architect when he takes
his afternoon walks up and down the Avenue, is quite on a par with all
Lonnegan's other frills. You and I would affect an inconspicuous
canine--a poodle, a terrier, or a bull pup. Not so Lonnegan. He wants a
dog as big as a mule. It's a better advertisement than two columns in a
morning paper. 'My dear,' says a stout lady, built in two movements, to
her husband at a theatre" (Boggs's imitation of a society woman's drawl
was now inimitable), "'I saw such a magnificent St. Bernard coming up
the Avenue. Belongs to Mr. Lonnegan, the architect. He certainly is a
man of very exquisite taste. I think it would be a good idea for you to
consult him about the plans for our----'"
[Illustration: "It's a better advertisement than two columns in a
morning paper."]
Lonnegan sprang from his seat and made a lunge at his tormentor with a
look in his eyes as if he intended to throttle Boggs on the spot. At the
same instant the great dog drew in his paws and rose to his feet, his
eyes fixed on his master's movements--rose as an athlete rises, using
the muscles of his knees and ankles to pull his body erect. If his
master was in danger he was ready. Only smothered laughter, however,
came from both Boggs and Lonnegan.
Public-domain text, read in full here on John Shaqi.
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