The Works of Alexander Pope, Volume 1: Poetry - Volume 1Pope, Alexander
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The Works of Alexander Pope, Volume 1: Poetry - Volume 1
Pope, Alexander
English poetry -- 18th century
The octavo edition of 1737 enables us to put the veracity of Pope in
repudiating the P. T. collection to yet another proof. In May and July,
1735, he published advertisements protesting that several letters
ascribed to him in the P. T. volume were not his.[118] He prefixed to
the octavo of 1737 a catalogue of surreptitious editions, in which he
repeated that the P. T. publication "contained several letters not
genuine."[119] He had hitherto been loud in exclaiming against the P. T.
forgeries without being imprudent enough to name them. His caution
relaxed as time wore on, and he had the courage to state on the
title-page of the first octavo edition of 1737 that he had "added to the
letters of the author's own edition all that are genuine from the former
impressions." The spurious letters in the P. T. collection were thus
declared to be the letters which were excluded from the octavo edition
of 1737. They were seven in number. Three were letters, or extracts of
letters, from Wycherley, two belonged to the section headed "Letters to
Several Ladies," and two were letters to Gay. Unless they were really
forgeries, Pope told and retold emphatic lies to discredit the P. T.
collection, and establish his innocence, and the deceit would leave no
doubt of his criminality.
Four letters out of the seven we know to have been genuine. The three
letters of Wycherley were on the sheets transferred from the edition of
his posthumous works which was published by Pope, and copies of two of
them are among the Oxford papers. One of the suppressed letters to
ladies exists in duplicate, and was sent by Pope to Miss Blount, and to
Miss Marriot, the friend and neighbour of his coadjutor Broome. The
letters are both originals in the handwriting of Pope. There are no
means of verifying the remaining three letters, nor is it necessary to
test them, when more than half the pretended forgeries are found to be
authentic. Once again we have absolute evidence that his accusation of
forgery was an acted clamour to screen himself. He finally adopted all
the letters but seven, and his assertion that these seven were
fabrications was a falsehood.
Besides the necessity Pope was under of rejecting some of the P. T.
letters to bear out his mendacious charge of forgery, he had particular
reasons for disclaiming three at least of the four letters which
proceeded from his own pen. The letter he addressed to Miss Blount and
Miss Marriot was a disquisition on a human monstrosity exhibiting in
London. He had said in his Essay on Criticism that "vile obscenity
should find no pardon." He was among the offenders he pronounced
unpardonable, and often revelled in dull and studied indecorums which he
mistook for wit. The laboured letter he esteemed so highly that he sent
it to two of his female correspondents was more than ordinarily gross
and stupid. The fancied humour appeared to the public revolting
coarseness, and he cast out the letter because it excited disgust and
contempt.
Public-domain text, read in full here on John Shaqi.
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