The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2Pope, Alexander
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The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2
Pope, Alexander
English poetry -- 18th century
Ver. 169. _I know there are, &c._] But as some modern critics have
pretended to say, that this last reason is only justifying one fault by
another, our author goes on, from ver. 168 to 181, to vindicate the
ancients; and to show that this presumptuous thought, as he calls it,
proceeds from mere ignorance,--as where their partiality will not let
them see that this licence is sometimes necessary for the symmetry and
proportion of a perfect whole, in the light, and from the point, wherein
it must be viewed; or where their haste will not give them time to
observe, that a deviation from rule is for the sake of attaining some
great and admirable purpose. These observations are further useful, as
they tend to give modern critics an humbler opinion of their own
abilities, and a higher of the authors they undertake to criticise. On
which account he concludes with a fine reproof of their use of that
common proverb perpetually in the mouths of the critics, "quandoque
bonus dormitat Homerus;" misunderstanding the sense of Horace, and
taking quandoque for aliquando:
Those oft are stratagems which errors seem,
Nor is it Homer nods, but we that dream.
Ver. 181. _Still green with bays, &c._] But now fired with the name of
Homer, and transported with the contemplation of those beauties which a
cold critic can neither see nor conceive, the poet, from ver. 180 to
201, breaks out into a rapturous salutation of the rare felicity of
those few ancients who have risen superior over time and accidents; and
disdaining, as it were, any longer to reason with his critics, offers
this as the surest confutation of their censures. Then with the humility
of a suppliant at the shrine of immortals, and the sublimity of a poet
participating of their fire, he turns again to these ancient worthies,
and apostrophises their Manes:
Hail, bards triumphant! &c.
Ver. 200. _T' admire superior sense, and doubt their own!_] This line
concludes the first division of the poem; in which we see the subject of
the first and second part, and likewise the connexion they have with one
another. It serves likewise to introduce the second. The effect of
studying the ancients, as here recommended, would be the admiration of
their superior sense, which, if it will not of itself dispose moderns to
a diffidence of their own (one of the great uses, as well as natural
fruits of that study), our author, to help forward their modesty, in his
second part shows them (in a regular deduction of the causes and
effects of wrong judgment) their own bright image and amiable turn of
mind.
Public-domain text, read in full here on John Shaqi.
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