The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
“Ah!” he replied, “very good! I see how it is—say no more!
Touching this matter of compensation, what you observe is very
just: in fact it is excessively so. But ah—ah—the _first_
contribution—the _first_, I say,—it is never the Magazine custom
to pay for—you comprehend, eh? The truth is, we are usually the
_recipients_ in such case.” [Mr. Crab smiled blandly as he
emphasized the word “recipients.”] “For the most part, we are
_paid_ for the insertion of a maiden attempt—especially in verse.
In the second place, Mr. Bob, the Magazine rule is never to
disburse what we term in France the _argent comptant_—I have no
doubt you understand. In a quarter or two after publication of
the article—or in a year or two—we make no objection to giving
our note at nine months; provided always that we can so arrange
our affairs as to be quite certain of a ‘burst up’ in six. I
really _do_ hope, Mr. Bob, that you will look upon this
explanation as satisfactory.” Here Mr. Crab concluded, and the
tears stood in his eyes.
Grieved to the soul at having been, however innocently, the cause
of pain to so eminent and so sensitive a man, I hastened to
apologize, and to reassure him, by expressing my perfect
coincidence with his views, as well as my entire appreciation of
the delicacy of his position. Having done all this in a neat
speech, I took leave.
One fine morning, very shortly afterwards, “I awoke and found
myself famous.” The extent of my renown will be best estimated by
reference to the editorial opinions of the day. These opinions,
it will be seen, were embodied in critical notices of the number
of the “Lollipop” containing my poem, and are perfectly
satisfactory, conclusive and clear with the exception, perhaps,
of the hieroglyphical marks, “_Sep_. 15—1 t.” appended to each of
the critiques.
The “Owl,” a journal of profound sagacity, and well known for the
deliberate gravity of its literary decisions—the “Owl,” I say,
spoke as follows:
Public-domain text, read in full here on John Shaqi.
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