The works of Guy de Maupassant, Vol. 5: Une Vie and Other StoriesMaupassant, Guy de
General
The works of Guy de Maupassant, Vol. 5: Une Vie and Other Stories
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
The shields on both carriage-doors were finished the next morning about
eleven o'clock. Everyone came to look at the work now it was done, and
the carriage was drawn out of the coach-house that they might the better
judge of the effect. The design was pronounced perfect, and Bataille
received a great many compliments before he strapped his box on his back
and went off again; the baron, his wife, Jeanne and Julien all agreed
that the painter was a man of great talent, and would, no doubt, have
become an artist, if circumstances had permitted.
For the sake of economy, Julien had accomplished some reforms which
brought with them the need of fresh arrangements. The old coachman now
performed the duties of gardener, the vicomte himself undertaking to
drive, and as he was obliged to have someone to hold the horses when the
family went to make a visit, he had made a groom of a young cowherd
named Marius. The horses had been sold to do away with the expense of
their keep, so he had introduced a clause in Couillard's and Martin's
leases by which the two farmers bound themselves to each provide a horse
once a month, on whatever day the vicomte chose.
When the day came the Couillards produced a big, raw-boned, yellowish
horse, and the Martins a little, white, long-haired nag; the two horses
were harnessed, and Marius, buried in an old livery of Simon's, brought
the carriage round to the door. Julien, who was in his best clothes,
would have looked a little like his old, elegant self, if his long beard
had not made him look common. He inspected the horses, the carriage, and
the little groom, and thought they looked very well, the only thing of
any importance in his eyes being the new coat-of-arms. The baroness came
downstairs on her husband's arm, got in, and had some cushions put
behind her back; then came Jeanne. She laughed first at the strange pair
of horses, and her laughter increased when she saw Marius with his face
buried under his cockaded hat (which his nose alone prevented from
slipping down to his chin), and his hands lost in his ample sleeves, and
the skirts of his coat coming right down to his feet, which were encased
in enormous boots; but when she saw him obliged to throw his head right
back before he could see anything, and raise his knee at each step as
though he were going to take a river in his stride, and move like a
blind man when he had an order given him, she gave a shout of laughter.
The baron turned round, looked for a moment at the little fellow who
stood looking so confused in his big clothes, and then he too was
overcome with laughter, and, hardly able to speak, called out to his
wife:
"Lo-lo-look at Ma-Marius! Does-doesn't he look fun-funny?"
The baroness leaned out of the carriage-window, and, catching sight of
Marius, she was shaken by such a fit of laughter that the carriage moved
up and down on its springs as if it were jolting over some deep ruts.
Public-domain text, read in full here on John Shaqi.
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