The works of John Dryden, now first collected in eighteen volumes. Volume 09Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 09
Dryden, John
English literature
The ceremony of Charles the Second's coronation was deferred until the
year succeeding his Restoration, when it was solemnized with extreme
magnificence, on the 22d April, 1661, being St George's day. Charles
moved from the Tower to Whitehall, through a series of triumphal
arches, stages, and pageants, all of which presented, at once, the joy
and wealth of his people before the eyes of the monarch. The poets, it
may readily be believed, joined in the general gratulation; but, from
the rudeness of their style, and puerility of their conceits, Charles,
whose taste was undoubted, must have soon distinguished our author's
superior energy of diction, and harmony of language. In most respects
we may consider this piece as written in the style of the preceding,
yet with less affectation of witty and far-fetched allusion. The
description of the spring, beginning, "Now our sad ruins are removed
from sight," is elegantly fancied, and so smoothly expressed, that
even the flow of the language seems to mark the mild and delightful
influence of the season it describes. Much quaintness remains to be
weeded out. The name of the king is sent on high, wrapped soft and warm
in music, like flames on the wings of incense; and, anon, music has
found a tomb in Charles, and lies drowned in her own sweetness; while
the fragrant scent, begun from the royal person, and confined within
the hallowed dome, flies round and descends on him in richer dew. Above
all, we are startled to hear of
A queen, near whose chaste womb, ordained by fate,
The souls of kings unborn for bodies wait.
Neither, if we read (with the first edition) _from_ instead of _near_,
is the intelligibility, or decorum of the passage much improved. If
any of the souls of these unborn monarchs waited for bodies from Queen
Catharine, they waited long in vain. But with all these defects, there
is in this little piece that animation of language and idea, which
always affords the most secure promise of genius.
The first edition is printed for Henry Herringman, 1661.
TO HIS
SACRED MAJESTY,
A
PANEGYRIC
ON
HIS CORONATION.
Public-domain text, read in full here on John Shaqi.
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