The works of John Dryden, now first collected in eighteen volumes. Volume 09Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 09
Dryden, John
English literature
this great statesman was doomed to be one of the numberless victims to
the uncertainty of court favour. His fall took place in 1667, when he
was attainted and banished. The popular discontent was chiefly excited
against him, by a groundless charge of corruption; an accusation to
which the vulgar lend a greedy and implicit faith, because ignorance is
always suspicious, and low minds, not knowing how seldom avarice is the
companion of ambition, conceive the opportunities of peculation to be
not only numerous, but irresistibly tempting. Accordingly, the heroes
of Athens, as well as the patriots of Rome, were usually stigmatized
with this crime; bare suspicion of which, it would seem, is usually
held adequate to the fullest proof. Nor have instances been wanting
in our own days, of a party adopting the same mode, to blacken the
character of those, whose firmness and talents impeded their access to
power, and public confidence.
In the address to the Chancellor, Dryden has indulged his ingenuity
in all the varied and prolonged comparisons and conceits, which were
the taste of his age. Johnson has exemplified Dryden's capacity of
producing these elaborate trifles, by referring to the passage, which
compares the connection between the king and his minister, to the
visible horizon. "It is," says he, "so successfully laboured, that
though at last it gives the mind more perplexity than pleasure, and
seems hardly worth the study that it costs; yet it must be valued, as
the proof of a mind at once subtle and comprehensive." The following
couplet, referring to the friendship of Charles I, when in his
distresses, for Clarendon, contains a comparison, which is eminently
happy:
Our setting sun, from his declining seat,
Shot beams of kindness on you, not of heat.
In general, this poem displays more uniform adherence to the
metaphysical style of Cowley, and his contemporaries, than occurs
in any of Dryden's other compositions. May we not suppose, that, in
addressing Clarendon, he adopted the style of those muses, with whom
the Chancellor had conversed in his earlier days, in preference to the
plainer and more correct taste, which Waller, and Denham, had begun
to introduce; but which, to the aged statesman, could have brought
no recollection of what he used to consider as poetry? Certain, at
least, it is, that, to use the strong language of Johnson, Dryden never
after ventured "to bring on the anvil such stubborn and unmanageable
thoughts;" and these lines afford striking evidence, how the lever of
genius, like that of machinery applied to material substances, can
drag together, and compel the approximation of the most unsociable
ideas. Our admiration of both, however, is much qualified, when they
are applied rather to make exhibition of their own powers, than for any
better purpose.
TO
THE LORD-CHANCELLOR HYDE.
PRESENTED ON NEW-YEAR'S-DAY, 1662.
MY LORD,
Public-domain text, read in full here on John Shaqi.
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