The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
It may be questionable whether any marriage could have tamed Burns; but
it is at least certain that there was no hope for him in the marriage he
contracted. He did right, but then he had done wrong before; it was, as
I said, one of those relations in life which it seems equally wrong to
break or to perpetuate. He neither loved nor respected his wife. "God
knows," he writes, "my choice was as random as blind man's buff." He
consoles himself by the thought that he has acted kindly to her; that
she "has the most sacred enthusiasm of attachment to him"; that she has
a good figure; that she has a "wood-note wild," "her voice rising with
ease to B natural," no less. The effect on the reader is one of
unmingled pity for both parties concerned. This was not the wife who (in
his own words) could "enter into his favourite studies or relish his
favourite authors"; this was not even a wife, after the affair of the
marriage lines, in whom a husband could joy to place his trust. Let her
manage a farm with sense, let her voice rise to B natural all day long,
she would still be a peasant to her lettered lord, and an object of pity
rather than of equal affection. She could now be faithful, she could now
be forgiving, she could now be generous even to a pathetic and touching
degree; but coming from one who was unloved, and who had scarce shown
herself worthy of the sentiment, these were all virtues thrown away,
which could neither change her husband's heart nor affect the inherent
destiny of their relation. From the outset, it was a marriage that had
no root in nature; and we find him, ere long, lyrically regretting
Highland Mary, renewing correspondence with Clarinda in the warmest
language, on doubtful terms with Mrs. Riddel, and on terms unfortunately
beyond any question with Anne Park.
Public-domain text, read in full here on John Shaqi.
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